week 1-1

yi long30min

Speaker 1

00:00

I'm dependent on the colonial indigenous practices and cultures. And my costly challenge and the idea of decolonization is I think, quite frankly, needed. Like it's a lot to fix. For me. It's very fluid. And so I'm constantly inventing. I have pointers. I use them right here at Oriel practice, and I want to challenge you to come up with pointers for your own practice as well. Because this is not a tick box exercise. If you're a fast paced, busy week. Let me say that again. If you're in this class because you've made this easy, please leave. I will be challenging you I will be giving you a one where I will be throwing things at you. I will be expecting you to respond to me and I'll stare at the ceiling like I said, this class is different to other classes that you do in this university. However, when you get to know you can't really make sense. Yes, if you're going to be more, you're no, there's going to be theory in it. Because as well you have to understand a thing in order to challenge it. But for me, it's more important that you do understand what it's about by the by meeting the people who are doing it. So you're going to have lots of artists and activists. We're going to start out very shortly because I have a question for all you guys. I tend not to I have seen people teach where they sit and they don't do anything. I tend to walk up and down yell scream. Sometimes that's not what we're talking about. And but and I normally sit on the edge of the desk. I have someone last year who like you have so much information that you give us where you expect him to, for us to remember this text or recording your phone. I don't mind if you record, do whatever you need to do to remember the information I'm going to give you because you will need it for your essay. Okay, so what do you need to know about this course? Here we go. Take photos, do whatever I will be doing this on Canvas however I am.

Unknown Speaker

02:25

You need to know the days of course runs every week at the same time between three to

Speaker 1

02:30

five and five in before I will be given to you for formative assessment which is going to be a 2500 word essay. With referencing if you don't references an automatic field is going to be about inclusive. The title will be some art practices accessibility, representation and diversity. You can choose from any of the following feminism and disability prayer art decolonizing art, artistic practices, public programming, inclusive approaches or communication. You can do either one, you can do a combination all anything your combination of is no more than three. I want not only the theories behind it, I also expect you to be telling me about artists that his wife already interested in in this particular assessment. The assessment will is going to be due by Friday the first of March okay. And I will you then have I will then give you you see by NBC six right before your independent study, because in your independent study week I will be giving you something else to do. Then you then have your summative assessment so the final assessment on it will be due on the 26th of April. And that is going to be either an essay or portfolio and that's going to be what does decolonization look like to you in your art practice? Who are the artists and theorists who inspire your practice? So two very separate assessment. Assessment number one isn't 2500 word essay with full referencing. It will be going through turn it in on the canvas inclusive art practices accessible to representation and diversity. And again, you can choose either one or up to three feminism disability for your art decolonizing artistic practices, public programming, inclusive approaches and communication. And then your final one is either another essay or portfolio with the portfolio you will be doing 1000 word critical review who are the artists and theorists nice for your practice. Now when I say portfolio This can be anything last year I had someone who was from Shanghai and she use the architecture of Shanghai to tell the story. I have someone else from Mauritius and she chose to do it through food and music. Okay, so you can have anything in your practice. You can do architecture, you can do jewelry, you can do whatever you want to do. If you're doing a portfolio what you do have to do is be able to underpin that by a critical reflection. Why did you choose these things? Who are the artists that inspired you to do this? Et cetera, et cetera, et cetera. And during this I'm going to try to get one of our tools, films and currently begging and pleading. And because I've worked with us on multiple decolonization, she does a lot of Open Russia, etc, etc. She also knows a lot about police brutality towards black and brown people. So showing that we're showing currently with practice sells is about police brutality to one of the latest generation. I'm gonna see if I can get permission to pay off for you guys. This just under an hour. It's very good as far as the emotional brain tissues. So, yes, so the live sessions are will always be in this room. If we're going to change if I'm taking you out if I'm telling you to meet me somewhere and obviously we're not going to be here. I will put down canvas on these two weeks before we were due to go to a place I'm gonna also be pulling in. These are where it becomes a hybrid. Some artists and not to because I know because it's very easy for me to stand up here and talk to you about whatever I'm talking to you about. But for them to hear it from their words. They're mostly what they're going through. It was always better said the woman I'm trying to organize for them to come in and to speak to

Unknown Speaker

07:08

there is again again, you can take images do I need to do to remember that this will also be put up on Canvas this weekend

Unknown Speaker

07:25

Okay, so let's start with any black artists can get in

Unknown Speaker

07:39

no one you want them any artists from the global majority you got to return your own country

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