Impressionism abstracts the sensory, surrealism abstracts psychology

8:07AM Jan 12, 2025

Speakers:

Keywords:

Impressionism

Surrealism

sensory abstraction

psychological abstraction

duality

partnership

masculine

feminine

shamanism

alchemy

night world

day world

depth psychology

conscious dissociation

conscious association.

Impressionism was the abstraction of reality, of the visual what you could see the sensory Surrealism was the abstraction of psychology, of the mind, of the subconscious. Whoa, whoa, whoa, okay. This is the duality. This is the partnership. This is the relationship. Impressionism and surrealism are like parents of art. Impressionism is, yeah, and it's the opposite of what you think. Just like my parents, impressionism is actually the quote, unquote masculine, the the young, the doing, the containing, the labeling, while the surrealism is the feminine, intuitive, creative, generative, even though it's the one that presents more masculine dude, It's the one that presents more masculine than the popular conception, but it's actually the most feminine, fucking, gender fucking or conceptions of any of these labels and restrictions impressionism feels like it's the feminine, the soft. Brush Strokes and light filled scenes and flowing and pastoral depictions. But this is actually more institutional. This is actually more of an adherence to past form, which is more of a masculine, it's more of a young it's more of A conservatism and conformity. Surrealism, on the other hand, and

was just pure feeling, receiving, allowing the subconscious to come forward, automatically, receiving, allowing you and if art is shamanism and impressionism

was about abstracting reality, that's conjuring the mean, well, maybe they're both the same. That's hard to say. I was gonna say Surrealism was more shamanistic because you were transmuting things twice. But maybe you are in both cases.

Impression, Impressionism. You're taking the quote, unquote, real thing, the form, and making it abstract, the disappearing act, abracadabra, Hocus, focus. Now you see me. Now you don't I. Surrealism was like an even more advanced magic, because instead of taking what you see and making it go away, which is simple magic, I the most basic trick,

you're making the subconscious conscious, your necromancing, your spell casting. You're calling forth the unseen. You're resurrecting the dead and bringing them into being,

giving words to the images, giving form to the formless, giving bodies to the dead, but then abstracting them again, calling them force only to send them back, transmuted. Yeah, so this is like so impressionism was like magic, and surrealism is like shamanism, because it's like alchemy, because you're transmuting a thing and do another thing. And I think shamanism at its essence, yes, I know it just means one who knows, but it's like about knowing how to turn things into other things. Okay, multiple threads are coming together. Now I think that's what it is. I'm seeing all the eyes, so I think I'm on to something. But I'm also listening to ayannas music, and it's really Trappy Trappy. It's really trippy. That's funny, trippy. Trappy. Trap and trip up. Yeah, I'm seeing the eyes that are skulls, the Collie, the DMT eyeballs, the serpent, Hall of eyeballs, wall of mirrors. So I think that means I'm onto something here. Impressionism is magic tricks, which are beautiful, but they're slights of hand, playing with the light. It's day world. Impressionism is the day world. Surrealism is the night world, and I think the night medicine is more powerful. And I think the night medicine is more real than reality. Like what they say about DMT, like what they say about psychedelic dream, the day. World is a form, but it's pretend, but it's a model. Serotonin is a thing that we invoke to function in a world that we've constructed. The serotonin model helps us function as a human, but it abstracts us from the reality of the universe, of existence, which is oneness, which is formlessness, which is dissolving and dying and reconstituting, which doesn't have to mean pain and suffering, but it doesn't include it.

Day world, magic tricks to get along in consensus reality. That's Impressionism, that's the day world, that's the serotonin level, surrealism is shamanism. Is the original ancestral medicine, the things that turn into other things. It's fermentation. It's like serotonin is like caffeine and stimulants and night world, medicines, mushrooms, psychedelic beer, I mean, just any kind of fermentation, really things rotting and taking on more beauty. I

Okay, cows interesting because it's kind of both. I think that's why it's such a queer medicine. And Emma needs is really interesting as well, because it's the math. She's the master of conscious Association, and that's the key to being a good artist or a good gentleman. Is conscious dissociation, being able to dissociate, to leave your body and allow the other energies and entities and images to come through you, by retaining that agency to step in when you need to, to say cut, to say the performance is over, to say the drawing is finished. And this is part of me losing myself as a writer, not knowing when to stop. We need training and guidance to know how to contain the ceremony. Anyways, surrealism then being the DMT model, if we're going with that framework, the night world, the intuitive, the feeling and being a representation of depth psychology. It was making the unconscious conscious, giving form to the formless, raising the dead, and then abstracting it again, and then removing the specifics, and then just leaving, like giving it form, and then leaving the impressions so that people can transpose their own meaning onto it,

from the formless to the forum back to the formless, again, transformed and. A

double alchemy, and that's what separates shamanism from sorcery. That's what separates shamanism from magic. Is the conscious association to bring something forth, so that you can heal it, so that you can alchemize it, so that you can communicate with it, so that you can ask it what it wants to tell you, and then release it, give it its own life. You I

release it back into the collective so the rest of us can experience it, can enter in and engage with it, because with too many specifics, and it's not accessible, and people have to have an entry point. And when it's just a suggestion, just an impression, then people pick up on the part that resonates with them, and that allows them to step in and make their own interpretation and their own resonance and do their own alchemy and their own healing.

But I think we kind of need to be both Impressionists and surrealists. I mean, that's just a metaphor for the whole thing, right? That's moving between the form and the formless that's being able to operate in the night world and the day world. I don't know. Maybe in being like I love Impressionism, not trying to criticize it. And day world is my criticism, I guess. But I kind of feel like it is because I don't like it as much, but I love the Impressionists, so I don't know, maybe they're both just different versions of the night world, and surrealism is just like the More advanced level. Because either way, I suppose you're conjuring, you're taking reality and abstracting it and allowing people to impose their own impressions onto it. But yeah, the fact that one's about psychology is really interesting. One's about what we can see one's about the sensory. Impressionism is about abstracting the sensory, and surrealism is about abstracting consciousness. It's fascinating. I.