Not really, I mean, when I was in this earlier stage of creating these characters, I happen to be in my office, just listening to music on YouTube, or whatever. And I've been listening to some Sephardic music, and it gave me an idea of trying to find, you know, this character from Salonica in Greece. So that that has set up a whole nother novel. And actually, the the Music Stalker is a prequel to the novel I published earlier called the Flight of the Veil, which deals much more with the Holocaust in Greece. Although I had written this one earlier, it was published afterward. So become very interested in a lot of research on matters relating to Sephardic Jewry, visited Greece and did some Jewish walking tours there with some excellent guides, and this theme of guilt, and dealing with you know, post traumatic stress, if you will, which is what we now call it is very present in the other novel, the Flight of the Veil is less so in this novel, that is also, you know, in Nikki's background, the other stressing factor, I think, which, which is really, the incipient reason for this novel is, what do you do when you you're a couple, you have children, all of a sudden one of your children, it just becomes something they've never planned for, for which there's no rulebook and how to deal with. And that is, that is Kayla, I mean, she amazes everyone, including the, you know, the people to this prestigious music school that she ultimately attends. And my main interest in in writing this particular novel is to explore how a family might deal with, you know, an exceptional child of that nature, and one who's exceptionalities are on public display, one who is compelled by what she does to have, you know, masses of fans surrounding her, you know, constantly so that was, you know, the main thing I wanted to explore when I started out writing this.