the Victorian workhouses. You know where you're like, Okay, well, we're gonna make you an overseer, but we want you to go into the streets and bring more people in, and it's painted like that. And whenever I look first at anyone who might or might not be when I'm practicing the Mormons at home, especially the Caribbean, I asked him to think about this of this and about issues in a hot boiling sun to come over and talk to you. And they may invite you but invite your entire family and then your family might go they're stupid, and then they get indoctrinated. And then they send about it. It's more and more and more so. Now we live in a society in the Caribbean. We're Mormons and it's that cm kind of mentality when I'm relying on researching this kind of work. I'm thinking okay, well, okay, so this is, this is how they've done it. It's like a pyramid scheme. But you're not getting money. You're just getting people and so indigenous art, which has survived may gain in popularity, and though forms the basis for economic exploitation, indigenous symbols. In print made decorate modern dress, indigenous musical symbol instruments may be incorporated into modern music, to support indigenous causes within the general colonial structure may become the political the popular, popular political thing to do. So the cultures are exploitative. And this exploitation may be committed by indigenous as well. And of course we see that we see that we saw that all last week. So this is basically a continuation of that when we basically see that in hairstyles, or in tribal Pearson's now, I'm not saying that you cannot have braids. And I'm not saying that you cannot have tattoos. What I am saying is give respect and merit supposed to go. You know, you look at for instance, the Kardashians who take on anything from anybody ever and there's never any fights or they it's just like, oh, this is mine. And it's kind of that mentality that you're constantly kind of dealers. I have friends who are definitely indigenous, and they all have three marks on their chin. And we were in London a few weeks ago. And this is something that's been going on with their tribes for like, generations. And this person came up to us as we're going to eat, and she wanted to know all the things about tattoos, did it hurt, blah, blah, blah, blah, blah, blah. But then she got a marker and proceeded to draw three lines under her chin and we were all sitting there like this and she was literally like, oh, well, now I am now I'm hip to this. This is a new thing. I'm like, This is not a new thing. This is their life. This is their culture. You can't just do that. And she goes like, well, I don't see any difference. And off she met my two friends who were all laughing and joking. And I find him as a curator. Can I turn this into an exhibition or something because this is ridiculous. But on the other side, it was here, my friends and I'm trying to defend them. And they're so used to people doing that, that they just sat and I was like, why are you guys thought about fighting this and they're like this happens every day. So if we think about it, from the indigenous point of view, there are certain people who have to deal with things every day. And it's not just racism or racial bias is literally things are attacking, you know, generations of culture that you're trying to