Okay, so I just showed you was one of her snapshots whatever follows so about a Kurdish Brazilian veteran celebration that wove together a web of migration and family stories and invited guests to become part of a new community. So all that sin adaption that you just saw was that becoming part of this new community and what she wanted to do was shed a light on immigration. So as I said, she lives in Berlin. And there was a lot of kickback about the amount of refugees that were coming. And she wanted to show that actually, your Kunal and I can still live together. So she created this and it basically just on the street, the rain was falling, as you can see, and it just had a celebration and it lasted 14 hours and then the police came. But that showed you if you just pull up your hand, what can happen? Yes. So this is the estimates. This is for me personally, one of the artists that just inspire me, I love everything that he does. He lives and works in Chicago. And creates work that focuses on space theory as lab development started as an architect actually in urban planning and recreation. And now it's moving into sculpture and performance. he redeems space. I have spaces that have been left behind and recirculation, art world capital, and creates world forces on the possibilities of life within things. And he's also very contained to the notion of black space as a formal exercise, one defined by the collective desire artistic agency. And so basically, what the customer has done is he still lives in the same place with this little boy. And what he's done is he's bought everything around him and turns them into these right artistic models. Right? Nobody pays right. But they give back in certain ways. So for instance, like twice a week, they'll come together and everybody have to come deal from you know, you're there from originally, and they'll have this big meal together. And we'll talk about their problems and they'll talk about the accountant guy can't get a loan from the back door. I'm not really sure how to get this funding proposal, and they will get help in that moment. But it's all based around coming together and having a meal together, big breaking word together and then helping each other out. And he just gives up these rooms. So I'll be playing you somebody for him in the next record. We have to put talks very much about you know, he's somebody helps him and then he pulls up that hat and he helps someone else and it's very much about okay, well you're from the global majority. The bank is giving isn't living many this what you needed as more years of green. It's, you know, it's warm. There'll be food once a week. What else do you need to make your dreams come true? I think that for me, he is of such a structure now. That he does not have to do something like that, you know, and he's just turning all the Chicago into he's just buying up everything everything that comes up for sale. He bites it refurbishes it, and it turns into like this interesting. gallery space beer people can take a moment and and seek is any art. Within the global majority as a whole we are told the arts are not for us. I learned this as a little girl. You know the arts not for you but to go and do maths or you're going to be a doctor to get to be a lawyer etc. What he was trying to do is literally change that narrative and say but look at what we're doing. And this is the work. All here we can see is the work of a slave and slave person. He was called a trade partner and he actually created an exhibition around this. I just think that what he does is is seriously fascinating. I know that in order to do it, you do have to have X amount of money but still, you know, nobody's forcing them to do that she was assigned to Nick Cave to Nick Cave is an American sculpture that sort of performance art professor these days some says and they're basically spiritual proper sculptures are right Mexico and other worldly often manage come to objects and the reason that nixar To make these a you don't know how many of them there are no in the world that He made them because he said nobody could figure out who the person inside of them looked like. So you could only see the touch of the person dancing or performing in the suits. And it's only at the very end if the person took the foot off or the top of that you will see whether the person was quite backgrounds opinion whatever. And so, this is like him using the suit style to champion a way forward or people will judge you're instantly put you in a box based on what you look like because they're too busy recognizing the talent that it takes to change and move the suits. As I said only at the very end when the audience is applauding that he will he and his dancers will come on and we will just see all the races and cultures represented onto the sixth. I think it's it's it's engineers. This is shit wrong. Echo Morgan she ever taught here last year. She incorporates stereotypes of Chinese nests and femininity in order to she's raises her own bodies material and often works with text written our skin using our lipstick. Blockchain is a way a way for Jasmine to work on breast milk. She makes her own experiences of childhood family, marriage and motherhood and really got to her female ancestors just oppose an English narration with Chinese traditional folk song to play her complex hybrid identity. Her work explores the territories of translation between two languages between gestures and stillness between our Chinese class and English present between performance and image. This is our first call. It's still us who is from Taiwan. And all he always specializes in portraits. And so as always, is normally portraits of women. And this is the only image I could find to do with a family. Other than that, it's just women. And in the interview, that was for this, he talks about how he feels that he's seen by a wider audience because they love his work. And then normally he shows himself for what he is. He says you start to see the books and the gazes. And so now he's gotten to the point where he no longer shows himself exhibitions. Yeah submission one that helped him at the work will be purchased and he just stays in the studio in Bangkok and just works. He doesn't want to be seen although he is represented by a gallery in Sherman Oaks and imagine you've bought such talent. But you're so scared of somebody judging you based on what you look like.