There were different times of day but the same kind of attitude of walking invisibly through nature. Well, my realization this week about sit spots in regards to conscious linguistics is that when we find that relationship based on a time of day, we're in resonance with the mind of earth. At that we're in resonance with the mind of Earth in that locality. So timezone kinda matters, because it's the energy that's taking place in the relationship between the sun and the earth at that time. So you're resonating with the mind of earth the interface between Earth and the Sun or the Moon. Right? And finding that resonance or that harmony allows you to access more subtle energy fields or the other dimensions that are present that you weren't aware of before, especially in dissonance with that energy or interface. So I found it incredibly profound when I was talking to somebody who's in Scotland. In saying doesn't matter what time your comp make having a call when me and an indigenous elder named Guy Jones when we're in the Northeast energy between, you know, 3am and 6am. The Northeast and northeast energy is the it's the between death and birth it's the Bardo state. It's the quiet time where there's less human energies except when they're in dream time. Right? So they're already in a different dimension. So calling me at that time when it was which was my favorite time of the day and night because it is so quiet and I can tune into that relationship with earth that my sweet spot or my wanderings, it's as it's become. And that was so profound that now I understand, when I want to communicate with somebody else in a different time zone. I want to use the voice and the energy signatures of that direction, energy that they're in so I can communicate in resonance with them. Because if I'm using my, my energy to communicate with them, there's going to be a slight dissonance in relationship with the Earth is and what they're experiencing. So it was just a very profound understanding of how valuable listen spots were in learning that invisible language that helps facilitate a better voice that's in resonance with where they are on the planet. And where I am on the planet. So using a different voice, a different energy signature to communicate to somebody it's like, we should all check in for our timezone I can say okay, you're in which energy right now. And if I'm directing communication to you, I can, you know, direct it with that energy as well as listening to you from that energy. It's just a very subtle, but that's part of conscious linguistics is these other dimensions of communication that we're not we don't pay attention to. It's like the invisible language that has an effect but we don't know why. And clarity of understanding between individuals, especially at a distance when they're in a different energy sector,
at that time.
Anyway, so for that, there wasn't I guess I could be my check in but there's so many other things I could talk about, but that was my realization the other day that and we're working on a project with John on the 512 projects, coming up with other multi dimensional beautiful multi dimensional mentoring questions around the 512 stories of deep Patriot connection. It's gonna be wonderful. Alex Greaves and I are working on that so far. We're inviting a third soon as we find an artist poet. Somebody who really loves working with poetic language
Okay, so
that'd be my second.
Thank you, Mark. Yeah, it's it's interesting how we're it's like this experiment in, in language where people were trying to figure out well, what, what's the heavenly language? What is the, the initial language of human beings and I'm doing these horrid experiments with, oh, maybe we'll just cut this child off from from human contact and then see what happens when you're doing it in a much more generous way.
Or discovering the energies and becoming more empathic with with with someone else's energy. Yeah,
I think it's it's part of the it's in the direction of telepathy anyway, so that's it. I know I'm on the right track. When I have a tough time finding the right words or definitions of words, because they're not from this dimension. The words and definitions or the meanings are from the other dimensions. Where we're all connected where we're all that's why telepathy doesn't need words. Doesn't need language, right? So I know I'm on the right track. Now if I can find the beautiful words that translate at a higher frequency. The definition is at a higher frequency that I'm using. I can do that just intentionally using a definition that you might not be familiar with, but I'm communicating it and that will unlock a connection that now you'll be aware of that definition. You'll be aware of that Munich. So yeah, it's a it's fun working with multi-dimensional languaging a
lot of fun. Yeah. So
there's a few things that are coming up with your sharing work, and that is when you choose the time when you connecting with somebody, it's almost like it's a subtle version of astrology. Right? It's aligning bio rhythms. It's honoring how the bio rhythms are affected by the time of day. Yeah, right. And then all the other alignments that are associated with that. So it's like a so subtle astrology. But then the other thing that came up is the capacity of the human body to make noise. And then the effect of humming on improving the immune system. So one of the things is if you breathe through your nose, and your nitrous oxide is released as you inhale, and then the temperature and humidity of the breath is conditioned for optimal utilization by the lungs. Then if you ever feel like you want to jack up your immune system, a little bit more humming, you know, just that vibration. It helps with the immune system as well and activates the immune system. So if ever I've been in a crowd, where I you know, all of a sudden got an intuition to hold my breath or or an humming becomes another tool in the immune system. response that you can utilize. But then there I thought about the need to make noise. You know, your bodies need to make noise when that because sometimes I just go and I'll just make this hum or make noise or I'll call out and whether it's clapping or making noise with the voice is interesting just changes the energy in the room, right? Like if I'm in a house by myself, and it's too quiet, you know, I'll just clap or do something to just you know, get get the place fired up a little bit. And then the other thing is when I was working on surfboard design, I defined a language to, to communicate the shape, right, and it's all curves. There's points on the board you can measure but even doing the length of a surfboard, if you measure the bottom of the surfboard, it's one length. If you measure the deck of a surfboard, it's another length. You know, trying to just you have to go to the actual tip of the tail to the, to the tip of the nose, then that that if you did that as a just like a caliper kind of measurements in that it's gonna get you the true length. But when you have to figure out how to do something, and there's no words for it, which is where I was with surfboard design. You could get individual measurements that you can copy the whole board until you realize that you need to just make templates for everything. There's a lot of subtle things going on in a surfboard that you that you need to just copy, make templates and and use that to communicate it with another person. So that's a that's interesting to me is when you have something you're quiet, you're thinking about how something works and then you go, how do I communicate this? Do I even do I need to use language is language good enough? And Alan Watts had this this video once where it was actually him talking and he's speaking and he's in the in the video and he says we'll take a look at a forest. You see everything. Your mind tells you what you know where there's a rock outcropping where there might be a creek What, what's going on where you try to describe that in words, and then direct somebody's attention to a certain aspect of it. And then take the whole thing in not miss any details and not make the thing like 1000 pages long, right? So language really is quite
primitive. And and I actually just prefer to go on how I feel like it'd be cool to do a call like this is sometimes just, you know, our when when our energy comes together and the joy like when I came on, and you go yay, George's you know, that that kind of welcoming energy a that. How are you going to describe that right? There's nothing that that does that the way we do together and then the telepathy you brought up the telephone, telepathy versus language. So Oh, good stuff. Thank you.
Maybe didn't invite Luke in because we were having this conversation about CCTV, but not like I was suggesting, I don't even know how that came up. But
what CC stand for? Well,
I was describing the experience of being in the UK and being in an area where is this taking some pictures but not recognizing that I was on private property of a financial district. And then these security guards, like people in suits and sunglasses came towards me and like what's happening and they're like, show me your camera. You got to delete those photos. Cuz they were concerned about, you know, Are you Are you a terrorist looking for? You know, vulnerabilities in our, our structure here, or, or surveilling the people who are, who are in this area who are high rolling financial investors or whatever, I don't know. So it was just such a weird experience, just being a tourist in London walking around and then all of a sudden finding myself and in this really anxious space.
Oh, that happened to me once I was running out here at the headlands and I'm running on this trail along a cliff out in the middle of, you know, the point it's wild nature. And all of a sudden I hear this you know, go what is that and I, I look, I look around, I didn't really see anything and then I stopped and looked in there was
a drone
above me, and I stopped in the drone stopped. And then I then I started running somewhere and the drone ran long with me followed me. And, and finally, I stopped and I just, I just put my hands up and I go, Really, you know, you're gonna bug me on here. Get here. And then I continued writing and they took off but it was it was a trip to feel violated like that. And my wife was with her girlfriend. They were horseback riding up on the north coast. And they were riding down a beach and they had a drone come up on them. So yeah,
it was it's, it's
weird, in a way, but then in a way you're looking at well, everything is is there. And I was exposed to this thing about Stardust, and that we're all Stardust Do you know this, this concept and 13 previous cosmic interactions, conceptions created the dust and everything of living matter is made up here on Earth. And then I started to think about how all of those patterns that are re evolved and integrated as we change as we you know, this is constant pattern adjustment. And when you cut a tree The rings are a record of the pattern adjustment that the tree has gone through during its lifetime and our memories and that idea of everything. Rick, like a recording of your life coming back to you at death. That's maybe the unraveling or or just you passing through all of the things that went through during the course of your life, every experience that shaped the nature and structure of your particular unique, we formed part of pattern integrity that made you and then that gets as it gets taken apart. You see that? Almost like if you went to the ring of a tree and you start peeling each ring, you would see the lifetime it had during that year. All the cycles that went through I've done that telepathically with trees where you just go into them and you can see animals go by you can see them grow. You can see the seasons go by you can see the so yeah, it's amazing when we give ourselves time to be part of nature and universe.
What that brings to mind is Bucky describing fire to children as the unwinding of the sun. From from the word as, as it's releasing that energy energy that it's been absorbing over the years. So yeah, it's it's interesting to think of human beings in that way of, you know, consciousness unwinding.
Oh, you got your hand up, Stephen. We haven't done seconds but
I I have my check in oops, sorry. My camera. My check in is just to say how beautiful that was to listen to George I believe the speaking because it just was fabulous. And I love that it's written here as well. The way that you spoke so, so much of my work, because I see light in a certain way and I see you know, I can just zoom into the atmospheres itself and see that whole dust of stars and capture it and so, so much that you spoke to and the trees and the waves and the the growth and the patterns and the lifetimes and things and sort of almost see that in humans and like but but visually I can capture these waves of light and like, you know, beautiful that this isn't world building because it's sort of the way Bucky spoke of that we're and Sadhguru who who's doing a soil, a soil marathon all over the world tomorrow to teach about soil. Right? He he really showed me that the model has to be cosmic or all other models create suffering, which is why I keep bringing up to the studio. The 100% is too small. But the cosmic model is the model to compare. It's the only model that we have. You know everything else is suffering and so that has like really pulled me through and it's from the seeing it and how you spoke and you see it it's the knowing inside of us this because we have a seeing in a way that really adds to people's ability to see more and to build the world in a way that works for all because when you see and understand these things and we impress this very gently at this point and softly into the the minds then we open back to the heart because it's the remembering the remembering right. And so I wonder how you feel because I'm working on I'm working on a conversation to have the Internet Archive, which is about my work and dives into my work as well as making a container for all this work to be able to live within. I mean, besides solar storms, it seems like you know people can really take information down and that's really what's happened here. It's really we have like full on evidence of how it was kind of shut down. And the evidence that it really did get shut down because it's really not in the consciousness of the of younger people and information Bucky had and you know and and nature itself. Alright and Nate bringing us back and unboxing our senses is really the work that I'm doing so I would love to share my work with you Jordan and and but also like I'm just the inquiry of like, you know, the what you how you spoke and shared if you would be open to collaborate with my having this recording of the words and your voice, possibly with the showing of what you spoke to how you feel about that? Because that's so world building.
Yeah, sure. Happy you can use anything. And I just emailed Stephen and mark. A article I was shared with this week called it was by Bucky called dare to be naive. Have you have you seen that? It's so cool.
I am always that so you know that's a that's the nature of my being in essence in a sense. So I like see I'm like in the world so like how you speak is the YouTube so yes, please share, share that with me. I'd love to I'd love to.
I already sent it to mark and Steven so go ahead, share it with everyone. But I found it really nice. He really goes into you know a baby's first interaction with with with with life and and how they're like CO create with with I guess
they can't not too into it. They can't they don't have any mechanism to not be that way as babies we don't have the ability to to to do anything else with our muscles then take it in and be with in a way we don't have that.
Exactly. And that piece you should you talked about the fire unraveling. Is that an actual article is it fronts something from one of buches books
Steven that's your question. Sorry, my,
my daughter's wrangling two children and a dog just running through. You can probably hear some of them so I might have missed missed the question
about the fire. Was that the fire? Go ahead,
George. Yeah. About fire being unraveling solar energy. That's that's just such a cool it's awesome. Isn't it a beautiful way to describe what we experience has starts way way far away long time ago. Right and then and then it's we're just we're just part of a trajectory of the a sequence of events. And some of them we pay attention to and some of we don't. Right.
And when we pay attention to the fire that's unfurling okay, it's it's a wonderful place to put in the turning something over on its head in a sense, because strippy who studies Bucky through creating structure. He speaks of fire and unfurling from tip at the bottom instead of TP because what happens is that the fire and the the the wood itself then the way that it creates less carbon in the air, and more of the substance that actually re vitalizes the land. So from burning the wood the other way than we've been stalking it. We will then assist with carbon as well as feed nutrition to the land which is so dry and needs it so we could be more intentional with our awareness of new information that we hadn't learned before yet. Because we are here now with the simple technologies of being more aware of how we how we use things
so what you're sharing just I just got about how temperature is really all about chemical reactions also. So you know when you when you have the process of something changing, typically if you cool it slows it down. If you heat it up, it speeds it up, fires just that one side of that spectrum. You know, gentle work I was with an alchemist yesterday. And there's a way to solidify mercury. And there's another there was another set of four for metals that turn liquid at 190 degrees right 180 degrees isn't that hard, but these metals when they were together, they would melt at that. So I'm just seeing that this is all relationship and when I was with Sylvia Earle while back and and we were talking about deep seabed mining and she said how we shouldn't touch those minerals on the bottom of the sea because that that crust is you know that all of everything that we do on the planet ends up in the ocean, ultimately, then that turns into a sedimentary layer. That lands on the bottom of the ocean. So that constituency then in proximity to the to the hot vents from the bottom of the sea, change life. And those are the building blocks of life that then come into our physical world born from the bottom of the ocean and influence our development. So when we put in radioactive waste or chemical waste or biological weapons waste or whatever it is, that's all influencing what we will become. Ultimately then we have the melting permafrost. So then that's unleashing life that's been frozen for who knows how long right now that can be unleashed and come back into our ecosystem. As other ecosystem participants in constituents are going extinct. I mean, this is a this is a wild living ride that we're on right now is as we navigate through these, these moments. So it's, it's crucial to pay attention than that and then to go one step further when I ride motorcycles at high speed on road race course. Then, you know, you have to get really focused on the things you need to to pay attention to, like you can't do it. You can't go fast and be safe. Unless you look at a few different things. It's like a mountain climber when you're like, I love Alex Honnold, you know, climbing Half Dome with no rubber. I mean, there wasn't anything about that where he could be out of out of focus. In fact, he spent 10 years preparing for what he spent a lifetime preparing for it, but he spent 10 years preparing for it and one of the things he did is he spent a year stretching so that this one foothold that he had to that he had to make sure he didn't mess up on that he had the capacity to do that. I'll find that link right now and put it in the chat so people can get his explanation of his
of his trip.
Maybe that comes
back to this idea that like I was I was thinking through how do I create this about page for the website that I'm I just launched last week. And it's been this process of trying to figure out
how do I
get my websites back online because they all just like there was a particular glitch. In the software that I was using that
seemed like a
bug that I couldn't get around just to even update to the latest software version. And so for three weeks I was just stuck trying to figure out, I can't I can't even get these things back online. They won't even start up because of this, this bug and there was no documentation about it. So like I got to figure out some way of maybe getting the backups. And so it has me thinking about this. This idea of of unwinding the fire from a log or unwinding consciousness from a human being. And you're talking about high performance human beings essentially, like how do you how do we
how do we
evolve? How do we push the limits of what it means to be human and and that's part of what this site is starting to speak to is. Now how do we be human how, how do we create this cooperating manual for being human that leads to a an operating manual for Spaceship Earth. And the way Bucky was really saying, Oh, it's interesting that there isn't a manual that that in itself is kind of a a message from Universe saying, Well, we're always figuring it out and there's it's not something that's set in stone or set in text like that you can really pass on that way through text languages is too limiting. That's why DNA is the way we pass on some parts of the information but culture is another way that we pass on information. It's it's the interactions, the conversations, the dances, the the sensations, just that full embodied awareness of what it means to be human, which very often times cannot be translated very easily. And so as I'm going through this installment process with Veronica Anderson, I'm recognizing how she's adapted to a particular set of challenges in her life, which then forced her to go into a mode of learning about, well, how do I absorb all of this information from all of these different traditions? And then create something entirely new out of that, that addresses where I'm at as, as this physical embodiment of, of humanity in this particularity. And it actually meant finding a different place to do that. So wasn't going to work in unit in the United States for her she had to, to go to Spain, and France and then to Costa Rica, and maybe not in that particular order, but but the the places and then the interactions with the people were different. And and that supported her, her journey of healing. So now that that experience is now being unwound, in a way,
as she's
mentoring me through a process and and hopefully there's there's a form of reciprocity that's happening in that relationship as well where I'm reflecting back to her things that are no create creating different awarenesses and and changes in her and that that's what I'm I'm really invited in into these conversations, I think as well as is just the the ability for for each of us to have our own experiences then sharing those experience. experiences with each other becomes this feedback loop of,
of
fine tuning the vessel is as I guess. I'm just recognizing that Stephanie is not here anymore. But Stephanie would would speak to fine tuning the vessel or
George
focusing on high performance tuning the reactions to one's environment. And it seems like that's what's happening at a at a much larger scale. Now as humanity is trying to figure out, how do we now operate collectively and be able to respond collectively to to something that really is a global crisis so that's really putting humanity through its paces. I guess.
Maybe we can. If
if we can end marker are willing to I think we've had sort of check ins from from Mark and George, in some ways. Maybe we can. Yeah. I just wanted to. Oh, yeah. Go
ahead. Stephen. I want to share that as you were saying that, you know, it's like the life of art is, is both the creative process, but also in relation to a constantly changing medium. Right the planet is this in our distance is a constantly changing, evolving medium. So we go all the way from cave paintings to the James Webb Space Telescope, right, as you know, examples of us you know, working on our creative process engaged with you know, all these different capacities and medium and mediums as they evolve. And then our goal is to find harmony in different conditions. So the people that are able to thrive in whatever, whether whether they're in prison for decades, they ultimately have to find some peace within themselves to in order to survive the situation or to to have it minimally disturbed them and what that is that harmony is just being able to align things so you don't have that resistance within your within yourself. If you if you can find a way to find peace with something and comfort and find your cozy place then you're then that is aligned as you get when you're you're in different situations. If you're feeling off, then you have to deal with that part of feeling off when I go into the ocean. Just being comfortable with that in in cold water. It's a challenge because you're naturally not set up to be comfortable when you're and then then that brings me back to the communication of the body to express when it's not in a harmonious state, which typically is you know, pain. And then the nerves have this. They don't they don't have a whole lot of ways they can respond to tell you something's going on in a particular part of your body. They can tell you that something's too hot or too cold. We can't tell if something is wet. We have no nerves telling us that something's wet. It's that we can only tell that it's hot or cold or the pressure. So, you know, what are we? What is that sense? Helping us communicate. And then also, in addition to what you mentioned, about the collective experience. When we see other humans pull off something that we thought was impossible. It pushes the boundaries of what we might be able to do and I think that's one of the things it's to me, I really enjoys Steph Curry and you know that when the when he's playing basketball and his ability just to you know, do these totally beautiful shots in all different positions from virtually anywhere on the court that he wants to throw from? And he just changed the game. I mean, the hoops been around the balls have been around people been playing for all this time. And he just, you know, he's a little bit smaller than the other players but he just he changed the game because he he just didn't Yeah, I can I can throw that, you know, I can make that shot. And that's what that's where we're at right now. We have to make shots that no one thought was possible. And there's not a whole lot of people that that are willing to try but the consequences are there. If we there there either way. That's one of the things when when somebody asked Alex Honnold about being you know, on this cliff, and he, you know, how do you deal with it when you're so high up, and and you don't have a rope and you're somewhere between the start of the climb at the end of the climb? And he goes, Well, really, if you're higher than 50 feet, there's a good chance you're going to die for the fall. So So you know, when she got up above that, it's, it's you don't have to think about the death anymore. You've already you've already made that decision in your mind that you're doing this and that death thing just goes away. You focus in on what you need to do to make it maybe that's
George, I wanted to ask you before when when Mark shared about his sit spot timing and tuning to place energy. You you described it as astrology or as I can't remember what the adjective you used for it was but subtle astrology or something like that. And so I was wondering what what is astrology to you?
I actually think it's a way to describe subtle, cosmic influences. And I think it's from what i From the little I know about it, is it's probably not anywhere near deeper detailed enough. And the reason I say that is because being a surfer, the waves I ride are born of storms and winds that are sometimes 10s of miles away weeks prior that I that I interact with and then, you know, in last decades we've been able to track the storm systems that have created the wind that have created the fetch, which is the distance the wind energy can work on the water and created this based on the speed of the wind and the length of the fetch, and the duration of time the wind worked on the water it's going to generate a certain amount of swell, which then travels through the ocean and changes from a disorganized sea into a very organized pattern of waves, which ultimately ended up on the shoreline where I might have the pleasure of interacting with them. So yeah, it's that everything is connected. And I was also an introduced this week to the philosophy of Spinoza. Which you know, is is very similar to Bucky and, and you know, Tom chi does this talk, everything is connected here. This guy is, you know, talking about everything being connected to 100 years, hundreds of years prior. So, yeah, it's it's everything is connected. We just get culturally programmed and as bushy said, Every child is born a genius and we'd be genius than we've been D genius. In in appreciating the
okay so forget about that. Let's just consider this.
Okay, that
we could draw a line between the Earth and the Moon. We could draw a line between the Earth and Saturn we could draw a line between the Earth and any object, like any stellar
subject. Yeah.
And we could draw lines between them. So and then they would form angles. And right, we could look at the angles based on the division of the circle to find what kinds of like, I don't know, you know, this is like, let's describe this go deeper on this, but like, what kinds of patterns they form, what kinds of shapes these angles create, and, and consider that like your brain, your nervous system carries all these traces. The water carries all these traces of prior states. So like intense moments in your like life like so for example, being born, where all of the stellar bodies were creating, what kinds of angles creating what kinds of subtle patterns of wind and waves is, is still there in you. And the Current Pattern of wind and waves outside can interact with that subtle trace and that whole whole thread of subtle traces and this this is like astrology is time mapped in, in the heavens, like the language of it is these angles. Mark is like angling himself to all sorts of stuff, stellar bodies, really, the humans in different locations. On planet Earth are really just very close. Very close moons. This is how I see it.
That's that makes. That's interesting. I was I my worldview is that we have a certain pattern pattern integrity in previous lifetimes, and then our pattern integrity is invited at the point of conception into merging with a physical genetic, and, and so this is a continuity and in addition to the position of the planet, their particular magnetic shifts and gravitational shifts and all the different dynamics that are going on there. You know, other than just where they are and in, in, in our idea of space. It's almost like the physical or our physical manifestation is the culmination of the pressure changes that created the storm system, the temperature and weather. And you know, what we call weather on the planet. So it's a shift in temperature from the sun and the ocean at a different temperature that then changes the pressure in the circulation. That then changes which way the wind blows, how long it blows for the intensity with which it glows. That then influences the water, influencing other things as well, but we're not. We don't have a visible record of that, like we do with this, as well. It's created so I see it as a continuity. That goes that almost breathes in and out from from from disillusioned or changed. Pattern integrity, to back into, you know, being in a physical body to being back to just consciousness. That's where I'm at, based on what you just said. Luke, and that
just so I'm with you, and and I love it and it, it reminds me It brings back up the thing that always comes up with this, which is that if you look at solidity, it only is relative on vast timescales, all of the geological flows and everything the whole universe is liquid. And the the cosmological image that always comes back to me is like this perfectly glassy, still ocean and a flower floating in it. And you look close at the flower and you realize that the flower is the weather that it's the the wind and the waves have formed this really beautifully intricate Rainbow Flower in which you can see the whole the whole cosmos blossoming. Cool. Just the fact
that you said glassy ocean reserve or your water guy
I love the water i i Really, I don't know I know I don't surf I'd like to I'm I'm all for playing with the elements in whatever ways my life permits, you know, the body is the playground.
I really see too that the glassy nests like when you said it. It also reminded me of how like as you're both speaking and consciousness and the clarity, clarity that when we are clear that that playground of our bodies and now we have we can see I keep using three E's in the seeing because it's a sensing of these fields. And like offering an ingest the speaking of it and offering of it it gives people a place to rest within and I have like this photograph of the space between two soap bubbles and it's this colorful field. You know, and in that, you know, I love the clear one that you just painted Luke as well because I cuz that is sort of you know, if we if we intentional eyes, the blue Clear, green ocean clear. You know, we we see clear and gently and in that space really feels like yeah, that will that will be the weather, you know, that is the weather in those spaces and creates it so thank you and just to tap also on solid, that's where that's where some consciousness went. The Wrong direction in thinking because things are solidified in and seem that way in time and in seem that way but nothing is truly solid because we are in vibrating universe. And that's where some of the thinking and the flatness of what's been taught has been closed down because people think solid and and use that as something sacred to go by. And it's not actually the whole. It's just part of it. And so bringing that back in understanding back in that we are vibrating waves is so part of this world building.
Yeah, what I've been working on relationship, thinking through relationships and the air we breathe and the relationship between hydrogen and nitrogen, the water and other things. The water we drink is a relationship between oxygen and hydrogen. You know, everything is a relationship and when you start to look at everything being a relationship, and you break down the constituent constituent elements, it's as though you can you got this big pot of soup, right? And you add a few more carrots and you add a few little bit more salt in different things and it changes everything so then it gives you this incredible ability to move everything around and alter it and influence it. You're not You're not stuck. If you if you know if you know that you've can have things at a different time then you're not stuck
Yes, yeah, well options, which we have options right now, to make it
it's also Yeah, also because Bucky taught structure not being the box and cube. And that's where I've really relied on you know how I see nature that way, but how again, back to strictly showing me these shapes and showing structure because that's what Bucky showed and shared. But when we look with that lens of what structure truly is because everything that box had been a construct, then there's more dynamics that come into play. And then the thinking changes the way it's looked at because it has so many more points that are accessible and an inside and outside and all that. And so it's really put new structure into my thinking, which gives hope to because
then no
because we've lost Stephanie. Well, Mark, I think you've been really patient. Thank you. You came on screen seemed like you want him some wanted to say something so I don't know it at that moment. I think we were speaking about media or then the different media and I felt like oh, there's an opening for for Mark Smith to go. Oh, yeah, that's that's that's been inspiring. me for a while.
Thanks. Hi, everybody, you know, that I've been trying to hold on to these little bits and pieces one throughout the conversation. One is the idea of just language and words. And of course, you know, a leprechaun leprechaun, tell me an age old secret and leprechaun and leprechaun, Where do you hide and keep that? You started with a word? This I've heard and now I intend to seek it. You know, that's a that's a story. That's a it's a it's a directive of what Who are we Why Why are words so important? And then as we were speaking, how maybe the lack of words. And, George, we've talked about this before I also ride motorcycles but I do not race on the track. But I do know that when I'm writing also scheme, anything where you're going too fast to think out loud. There are no words that you can use to direct yourself on that track bike. Because they can't come fast enough, right. So there's something about the lack of words and the potency of our sensibility. The other thing that I've kind of like latched on to was you talked about
Well, one thing was the CCTV which closed circuit TV I remember that in our community television channels right when cable was first starting, but the idea I love the idea that it's shifting to want to say collective consciousness TV or cosmic consciousness TV different but the other thing that that I was just thinking about in the conversation was when you're putting a frame a frame that George, I think it was you said when you're put in a terrible situation and you don't know what what to really do with that. immediately brought to mind Michael Meade. If you're all familiar with Michael meet the mixologist. Every ad I got to sit with him about three years ago, attuned to his work, and his story is just that he was in the US military as a young man. And he was a conscientious objector. And because of that, and how he behaved they put him in solitary confinement, the US prison, Tim, in a military jail in solitary confinement for a very long time. Can imagine that the story he tells us that when he was young man he was gifted a book by his aunt Leave about myth, and that's not really the book that she went to buy for him, but that's what she ended up bringing. Then somehow they wrapped it up and gave her their own book. And this completely changed his life. And in prison, it were those stories and those characters that came and visited him and kept him on the leading edge of some kind of discovery within himself instead of just burying himself in this situation. And he's become one of the leading mythologists now. And his way of connecting to our times through story is, is quite potent. And so on the one hand, I know where I'm going with this, but on the one hand, there's a potency of no language, and how we can behave and, and and be within
that. But it's
when you take the words and you put a whole bunch of them together then we have culture we have storing we have humans so those are the kind of triggers that that brought some thoughts to mind as I've been sitting with y'all think that
harmony is kind of your internal customer. Compass that is telling you that your particular combination of things, elements is aligned with with the universe of plan for you. It can go two ways it can go from your harmonious because you polluted yourself into that place or you're harmonious because you've taken yourself to a healthy space and then from that healthy space you could then push your boundaries as far as your own performance if that's what your being seeks to do if it likes to push elements, which is what what I get into is like how do I make something better? How do i What's going on here and how do we accelerate it or how do we how do we take it to another level or simply just appreciate and be in awe of what has already been accomplished? So that that's what is the harmony is like a bit of gives you an insight that you're on on a particular path.
Interesting, and I don't I don't have my phone. Yeah, otherwise I'd be looking at the etymology of harmony. But the first thing that comes to mind is it's got the word harmony. Which I find interesting, but I'd have to look further into that that
harmony yeah and by Harmony I just mean you're at peace you know within yourself and you feel like you're aligned and there's nowhere else that you want to be if we're talking to flow state stuff right me Hi Chicks me Hi, in the flow state and then since you brought up the idea of world of a word harmony and having harmony and I thought, you know, awful so full of our verses awesome, which is something we we think is good and just, I don't know, I haven't looked at the word but here it again is this this thing how words ended up having things that train us in a way that's in Congress with logic in our mind just in the way we use and just like people say, Oh, that's your bad but that's not just your bad in a bad sense, but you're a badass, you know, so we've got all this confusing language, right, that then ends up maybe it's just showing us that, hey, it's all irrelevant. Really. It's just the way you feel and the way you are with the people that you interact with.
That's just the thing. There, right? Because that's where we go from being that child that babies that can't close off and the beauty of something within that. And then we put words on things because as you're speaking Mark, I realized like I am so much more comfortable being with people without words. That's where I can tune. That's where I can relate in the world, like me and nature together with people and just be and then we put all these words on top and they're so confusing, and this is where it shut things down. Not only is harmonic resonance is what I believe you're speaking to George and if we look at Harmonix it's also harm and money together which right there puts a code in that it shifts people in a loop that goes the wrong way. And so, we are living in a society that has kept us to not get this but the all the even the word m e a n i cannot ask you if you understand me without also bringing up mean like how are these two the same words? So it's sort of like weaved language and it's mostly that the English adopted this language here in this country and then people turned in to use it and it became a global language and its has the least amount of words and the emojis are worse. Look up on your phone right now. woods and forest and think how many emojis there are and this is what kids are learning urban kids are afraid of the woods from all the horror movies. There's two emojis for both a deer and a stack of would like, you know, the languaging has shut down the thinking. So the world weaving really is with this new languaging because we see what has been done to the code in a sense because harmonic resonance is the field that with ease and with that calm stillness and beauty of that flower whether really is the state of flow and ease and the languaging has created so much chaos in the field. So so the world weaving and the lunate like all these things are ways and shapes of of wheat reweaving in the new languaging so that it feels right in in our souls
do
you think aligned with that is that when you go into language, typically it's to it inspires judgment. Because you're trying to find out if somebody agrees with you or you understand something the way it's being expressed so it puts you in this kind of critical state of trying to understand something. So poking holes in it and seeing if it'll, if it holds up and then if it aligns with your understanding of the situation. When one time my son asked me, he goes, how do you go through life? And I said, Well, first I just observe, see what the situation looks like. And then I see if I'm it, I might, it might be proper, I might, you know influence it in some way. And then I think about whether if I influenced it, whether I have something that I can share with the situation right from the start that would improve it or whether I have to actually learn so that I understand more about the situation and see if it's appropriate for me to get involved with whether I want to grow in that direction. And if I want to grow in that direction, then I'll then I'll get into it and I'll take it on otherwise I'll just step back and go on to do something that's more fun or you know, more captivating or I feel is more necessary.
I was just looking at the etymology of the word
harmony, and
the Greek Hamas is joint so now we're getting into Bucky territory of the vertex. And how do you join those vertices so that you know you see those connections? And I've been looking at the etymology recently of superstition and then realized, Oh, it's over standing. You know, so the opposite of understanding is over standing, I suppose. Understanding versus superstition. I don't know. I'm still wondering like, how did that become over standing? superstition, because because the word super in that word was like, well, that's super above one. Like and maybe it's like trying to extend your your understanding of above what you really can sense or experience or know. So you're, you're going beyond I guess the science right? Is that's the experience that we can understand. We can repeat it. We can. We can document it. But superstition is like, that's way out there.
That's so what I hear in this Steven is this dish has a like it's evocative of structure. And so it's like being superstitious is like the universe having the like is hyper structured and has all these hidden structures that that then you can see signs for and so the superstitious person sees all these signs of structures that the non superstitious person doesn't, but I just wanted to point out too, that the word the harmony, etymology is tracing back through the French, whereas harm is tracing back to the Old English, so a Germanic versus a Latin root. And I think that this is what we find in the realm of language is that as much fun as it is for us to play with all these endless different tunings, the realms of language are as full of illusion as they are with truth, I mean, it's like, I almost think that we can find something in here over some time. I mean, but go into this thread about the relationship between material and language and get clear about it because I think that that language is perhaps pretty like it's, it's like, I don't know you know how we want to define language, but language is this like, something about the material or a subset of the material or a way of structuring the material that's evocative of something other than the material, even though really the this is all the the vast mother of space the material it's all just subtle, subtle layers space is you know, the material emptiness.
Yeah, that's beautiful. You're so right. About language. It can go in both directions. It can uncover consciousness or it can add a layer covering consciousness. Language is what the energetic field of the mind is made up. It's it's part of the conditioning, right? It's not all of it. There's other actions, physical actions, frequencies that are not not voiced that conditioned the mind condition the interface, then that it covers up perception or it is like a window to perception of perception. One of the things we were discovering and conscious linguistics is why we keep stressing beautiful questions, is that aesthetic questions tend to uncover the ineffable. Whereas the effable the worded or language puts a filter or a descriptor that limits our perception of what's there. So the mind is an accumulation of an eye not not just I'm not talking mental mind. Only there's heart mind and intuitive mind and other dimensional mind. Right. That is just that interface I've talked about ad nauseam. On this in this group. The multi dimensional aspects of mind are just how we perceive experience, how we interpret experience and how we color our expression of consciousness. It's through the same conditioned field. That's what mind is. And I meant made mention of mind of water, and Earth. My first talk was the mind of Earth and how we can resonate with it or find co coherence with it. When we understand the energetic signatures of different times of day, which a lot of indigenous cultures did. I mean, they they have a lot of that relationship evoked through the the eight directions, not just the four directions, but the eight directions and the energetic signatures of those different times of day are so profound. In seeing how all the relationships of all the living things even though the relationship with the what we consider nonliving things but are part of consciousness right the rocks and the minerals and the energy signatures they give off. Seeing those relationships and how they are affected by the different types of times of day, where the influence of the sun and moon are most profound in those relationships, so I I like that, that scene. I'll post it in the chat again, because it's worth repeating and watching again, that scene of the Jodie Foster character in the movie contact, you know, when she's this steadfast scientist that wants more evidence of God before she can lay any perspective on it. But she's seeing this celestial event and it's so gobsmacking ly beautiful that she has no words. It's, they should have sent a poet not a scientist to describe something so beautiful. Right? And so words are really important. Because they can be a limiting factor on perspective and consciousness, or they can be an uncovering of consciousness and seeing those relationships more beautifully.
Yeah, you know, the notion of superstition. I just had this really strong hit on that when you brought that up, Steven, it's like well, of course, super over superstition because we came from a time where we didn't have the words, but we knew we were so well connected to this earth. How many hundreds of 1000s years did humanity survive? Without the frickin internet? You know, it's like there's so much story within us that started us is such that it's over arching everything. It's over. It's super. It's bigger than it's
it's the slowest story ever told him we'll never hear the end of it. Right. But we're, we're we're in the midst of it trying to figure it out. Without
having meetings like this. Yeah. Thanks to Internet. And that's the beautiful thing of it is that it's just training wheels for the novice sphere. We get that and a lot of people don't see it yet. They're still interpreting the language. From the one way communication of broadcast media. And books. That's how they're interpreting the internet is in that modality of one way communication. But when we add multi direct multi directional communication that's more like sitting around the fire and feeling all the all the aspects around us. And when we add the quantum aspect of what it's introducing in terms of non local experience, which is what we're doing right here. Oh my gosh. So it only took 300 individuals like I've mentioned before to go from the Black Plague to the Renaissance 300 individuals and they did it without an internet. And what can we do? Oh my It's gonna be a rapid shift of consciousness. That is taking us to the next level. That's conscious evolution. That's what they are deja den was referring to over 100 years. ago. Yeah, it's linked consciousness. Yep, there we are. Let's hear
Yeah, I like you know, Steven, I'm gonna try and loop back around and I I have to leave some. I hate leaving these meetings. I got a recording. So yeah, that's impossible to pin. It's true. So much. But you had asked about, you know, developing the about section for Luna soltera. And what I think of the name that you created Luna soltera. It kind of embodies everything that we've talked about this morning, which I really appreciate using the language to define a theme like the moon, the Earth of the sun, to create something bigger and more meaningful to with which into grow. Yeah, and it's, it's yeah, I'm just wondering, bringing it back around to your question. Maybe you'd like to dive into that again.
Sure. Yeah. Well, maybe sort of speaking to the
like the sense of of knowing that comes through something beyond language. That's what I've been recognizing. As a designer for 30 years trying to learn the language of of how we broadcast this information. And then using technology as a means to facilitate that. I realized that there was never going to be an end to learning another technology that then I would have to try to incorporate into my experience of being human and I just realized I'm not going to be able to keep up with this. Like, I knew at the beginning, this was going to be a matter of survival just to, like always be on top of the changes. But, but now I'm at a place where I forgot about how to be human. I learned how to integrate myself into these machines and these technologies and I wouldn't be myself. This version of myself if I hadn't. hadn't gone through that experience and and, you know, the paradox of wanting to be out in nature but but also this this ability to have access to technology has allowed me to maintain a sense of sanity through the kind of separation that we've we've been through over the last couple of years but yeah, the the name as I'm so Luke had brought up this concept of patter physics, and I never heard that term before. And so I'm still trying to figure out what it means this morning. I was looking, looking into Baudrillard and where was the origination of this? IDEA? And it's, it's almost like this absurdist form of art that is drawing on, you know, what is beyond science, trying to challenge the the absurdity of science being able to create a language for everything. And, and recognizing it just can't, it has limitations and, and people who are unaware of those limitations, create this dogmatism. Around science as there's nothing more minutes. And my personal experiences, recognizing Oh, well that that's been kind of a manufactured sense of scarcity around our, our being as being human has, has been kind of reduced to a kind of functionality within the societal systems that we've created. But now that we're realizing that those systems have created these artificial limits, and actually have created the the opposite of what nature has been doing for billions of years is this. This entropy that has been going on all of this time, and how we're accelerating entropy through the kinds of systems that we've we've been creating for, for humans to master nature.
So it feels like this last decade for me has been just coming out of a cave, and then sort of blinking my eyes wandering. I was so focused on this particular specialty of design and technology, that I didn't have any awareness of whatever, what else was going on around me. And so it's like being in Plato's cave and then starting the realize if I turn around, oh, there's a there's a pinpoint of light that I can move towards and then as I'm moving closer and closer to that, analyzing, oh, there's a whole you know, it wasn't just this flat screen this wall in front of me that was my, my access to reality. Now I'm entering this sphere of the world. Again, from what I remember in childhood and then kind of almost re parenting myself back into childhood. As I'm like, Well, what if I just go into the forest? What if I just started putting these joints together, you know, creating harmony with nature, rather than trying to be over nature. And so that's kind of been my journey of dealing with the physics of the everyday mundane tasks of, of working within the society and then realizing well, there's there's a metaphysics that's been inspiring me this whole time. But now the, like becoming Luna soltera is it feels like an act. Of Petrophysics. of going from experience to intuition to imagination, as as a way of exploring.
I don't want to keep on going down that that road of
just trying to make a living in this particular specialty of design. But this has been sort of into an integral process of me becoming through language following a kind of nominative determinism, right then, my name was calling me to something which led me down a path for for 30 years of trying to figure out how do we recreate that kind of modernist renaissance of the Bauhaus. And then I realized well, it also integrated with Bucky at Black Mountain College. It evolved as as it came into contact with different cultures.
And
it's this evolution that I've been really inspired by is but also challenged by I was recognizing I was stuck. I need to change how do I need to change I need to find people who are other than my experience of, of this very cloistered Bible Belt experience. And then but I've always been doing that, in some ways, because I, I chose early on to pursue art. And that was countercultural, but, but it was weaving directly into what the culture wanted from me. So I use that as a springboard for Okay, well, they don't understand this language I, I'm learning this language so they're exploiting this talent that I have to to find ways of expressing themselves to the surrounding culture. But then they realize over time, like, Oh, we don't need you anymore because there's lots of freely available resources. out there. So recognizing my obsolescence has meant I've constantly needed to go into a mode of reinvention. And I think this is kind of the the experience of the organism is, is operating in a world where, oh, I can go obsolete very quickly here death. Death is always breathing down on me but but I'm finding ways to survive. But it was also coming into the design science studio and then like seeing the my Octopus teacher and recognizing Oh, the organism is adapting to its environment, learning how to incorporate fear into a survival strategy. But then recognizing, oh, I'm also a predator. And I have these other abilities and some creative ways of navigating my space here, which allows me to actually play with efficients as part of my experience as well, like that. Just seeing another living being finding joy was was somehow inspiring to me. Oh, well. I'm not just this one thing. That I feel like I like as I'm wrestling with this idea of being Am I colonized or a colonize, you know, all of these kinds of identities that that we're we're struggling with now. And it's interesting how that's transformed. You know, even in this week from I thought I was pray and then being excluded from being able to participate. And then suddenly, there's a shift in the organization of the design professionals of Canada where now a woman is the national president, and I have a closer connection with this woman I can reach out to her directly and say congratulations, and oh, she's welcoming back in into membership into this, this society of, of designers, and so like these tiny little subtle shifts that happen that then actually make some major changes in the dynamics of that social system.
And it welcomed me into another experience on Wednesday where they just, you know, they usually have this coffee break not many people showed up to it. But it was it was hosted by the design professionals of Canada and and I was meeting someone at an early stage in her career as an illustrator. And then we connected on LinkedIn and it was like, she's looking at the art I just started to create around Luna soltera. Last week, like this is me, trying to transcend the limits of language by going I used to know how to draw and I'm like reminding myself I still know how to draw and I have the language of music. I have all these other things that don't really factor into the way the the world wants to see me on LinkedIn as like, here's my list of capabilities that people would hire me for. But as I think about the art of being sphere, that I'm recognizing how stupid and Stephanie have inspired that language, that is bringing me back to art beyond language and and just being in the experience of being human, which now I'm recognizing it's it's this inter been with Sun, Moon, the Earth and my body which is also a myriad of other creatures that are non human, or superhuman.
And we're back to this. The relationships it's the relationships that are forming me in a in this cosmic storm, I'm thinking of a galaxy the form of that galaxy. is like, what we would consider a storm. That cloud formation that creates that spiral on Earth is the signal of Mother Earth to wake up go, there's something stirring here. And so as a disturbance in the harmony is actually a kind of alarm, a wake up call to not just be individual human beings, but actually be a collective of human beings creating the story together. That's really what the the story of Luna soltera is about is recognizing and being part of the design science studio. All of these people I was I've been meeting have become part of my experience, part of who I am my identity. And that's where I'm setting up this website, as a as a means of inviting people into that story. So I've just invited Luke, and to like, be an author here. And I'd love to figure out how do we weave each of our stories into that kind of collective narrative if that works for people and I thought it might be no having this particular software allows there to be a members area where we can post links to maybe the the recordings and the and the summaries or the the transcriptions of our meetings here. That can then start weaving into other ways that this, this kind of story grows together. And so I'm looking at the forest as a way to go okay, how do I connect to what stupid is doing right as he's he's got some ideas about structure that I can bring into the forest. But Luke has some other ideas about how language can be a way of, of inviting us into conversation. You know, kind of polyglot immersion, polyglot Pantheon and sort of brings us to this like astrology as a a language of connections to
to
larger beings in our, our solar system, that are having subtle effects on on how we operate here. And that's like a new language to to explore. So it's wondering how, how can I bring all this language into integrated Oh, it's too much, right? So it's finding ways to focus. Looks like Sydney. You did you have your hand up?
Well, I just wanted to say because it was interesting to hear you sort of settle us where we were at which was and I wrote it in the chat, but it was like, the the thing was, you were seeing a storm and I just wanted to re just refocus us again, to the place of what her harmonic resonance or harmonics look like at ease, which was because I think that there's a way in which all this has been stirred up for you, but I was saying that it's been stirred up, right. And so what if it's landing in the innate and in what we truly are, and it's landing, and that membrane of remembering because the space between us is the connections it's like that is the membrane really is where connections travel and it is in the clearness of like the caterpillar story of when that's coming apart. That's where the connections are happening in faster ways because the waters clear. And so like if we can put languaging sort of and um, this is my belief and my like adding in what other people are saying and you know, again, just to clarify like that, I am sharing my thinking on it, but I believe some are in harmonic resonance with that, that when we can visualize like, actually, we're in this clear place of all this coming together now, because all of that stuff got stirred up and then like, was able to clear off and like we don't need to bring it in, in speaking the past of the present of the past. Now we stay, you know, with Bucky, like wanting us to start here. And when we start in this structure, we just grow in these different ways. We don't need to go back and so we just this is where he wanted to start this is the start, the landing place isn't each in integrity, of like, the awareness in a sense. And so just to weave a few things you also mentioned about, you know, creating sort of that transmedia area of how we can put our story branches in, you know, through some software, and also like, you know, the dimensionality of them and where they connect, like is super, you know, cool in creating also, that, you know, there's a way in which that content can come through in smaller ways through and newest sphere, right. There was some that came in here as well then, you know, which. Yeah, so that's all I just wanted to
bring back to that
place of where potentiality is capable. Of, it's all it's all here. Like we have the field and dynamics and we've seen Synergetics at work and at play in that when that's clear. So thank you.
Yeah, to the world builders site that I started, I think last October was a really just a kind of a software experiment, and what can this thing do, and I realize it's going to be really expensive if I go with the managed hosting solution that that ghost actually offers, but they they charge per staff member, like oh, that's, that's going to get really expensive if I want to have a larger group of people working together. So it was just trying to see, okay, what if I self hosted it? Are there any limitations there? And I realized, oh, there's no limitations. Like, now I can connect to stripe. Now we can create as many authors as I want without incurring more costs. So as much as I want them to support the open source software, by contributing to what they were doing, I'm I'm doing that rapid prototyping of, well, let's figure out what we can do very quickly, very inexpensively. And then I realized, Oh, this is actually pretty cool. It can it can invite people into the this kind of experience really easily. But it was maybe a little bit too, too text based and I wanted to invite different kinds of media to start playing with each other. So maybe there's there's some video and some audio and some podcasts and some text and it can be a way of helping the design science Studio also to realize that there doesn't need to be a hierarchy or a group that is having to manage all the media, which becomes overwhelming for that core team. It can be much more crowd sourced where you've got everyone has access to ways of being able to express their ideas through a single channel if if we want to so it's doing the reverse of the broadcasting system that we've been learn to use are taught to us as is now. We've got a crowd sourced open source application that has discovered its own ways of of sustaining itself. That then can help sustain what we're trying to do without the limitations of that particular hierarchy. And so it's maybe you know, the Luna solteiro site can be that is continuing on with that experiment by inviting those those same people back into something that's more resonant I think, I was just recognizing even within this group it was world builders and became world weavers. So there's something about that idea of world builders collective.org that maybe I needed to say, Okay, that was a good experiment. Some something that's more inviting, is
exploring
the divine feminine or feminine energies, but then also re enter, integrating it with a healthier conception of masculinity as well. So this is when another conversation that I had this week was with a guy named Don Golden, who he describes himself as IMO assists white evangelical Christian man in living in, in the United States of America. Who is recognizing the limitations of this identity and being inspired by astrology and Buddhism and other expressions of faith even while firmly embedded in this culture, so he specifically reached out to me asking me about my experience of becoming Luna soltera. Because he was curious about that story. And and he's, I'm just connecting with him as part of an investor's club. So he runs an organization called just capital quotient which is trying to do regenerative investing from a Christian perspective, right. So this to me, this is really interesting that it's this crossover of cultures that's happening all over the place that I've been witnessing. And it's how can I be that bridge? Or create create a medium that that allows us to start pulling those threads together rather than like the fabric of society being ripped apart in so many ways by social media? Can we use use these technologies to weave to knit to to grow together and and using the imagery of the spheres, weaving light in our solar system as a as a metaphor for how we do that here?
It would be good to know what like it sounds like a pool in a sense, right? You created like a pool and branches of content in a sense, right? Is that what you're saying? Or?
Well? Yeah, I think it just becomes a place to document what's actually happening outside of media, so I'm thinking I'll probably be experimenting with music, but also going into the forest and building a treehouse. I had this idea that sort of lit something in me of I have this domain called straighten village and it was meant to be a contrast to the Augustan development that's like a Hong Kong owned investment in in First Nations territory here and not recognizing that the relationship there that they've created actually includes this relationship to the First Nations territory and the first nation at the bottom of the hill. And so I was hoping to find ways of starting to to recognize those relationships and then to weave all of those relationships together into the story of maybe straightened village is just was, was going to be well, Luna. So Tara wants to be a journalist of sorts, but a journalist of metaphysics or patter physics because it's I was listening to something yesterday about how it's just silent in Canada. Nobody wants to talk about it because we're, we're too polite to bring up these contentious ideas in public. And so there's this huge vacuum in the media industry here. And And as I'm exploring this question with the now national leader of our design profession, I'm saying well, I got ousted from the organization because I was trying to invite a conversation around decolonizing design and now she's saying, Yeah, we need to have that conversation. But how do we do that in a way that is inviting people in, in a really empathetic way, so that they feel like they're, they're part of the conversation too. So it's really interesting how Oh, something that I thought was like a completely closed avenue to me is just suddenly opened up and so like, oh, there's some interesting opportunities. You're just even happening. This week. And it's it's not thinking of, of this, necessarily, as this is the medium. It's actually how does this connect to the existing media because I started creating social media accounts on like Facebook and Instagram and Twitter, the usuals and maybe that's it's only because that's where people are. But then starting to invite people out of those
that thinking that that that walled garden is the only garden that there is and then recognizing that we are all exploring a much wider world in the design science studio. That becomes a kind of prototype for how we we change our relationship with media in in recognizing we are, we are media
yeah, that's, that's that's how I got to you know, Lucky's, quote. I seem to be a verb. McLuhan. The medium is the message and the leprechauns be the medium. The medium, it's what you're doing. You're channeling, your attuning to what is so so what's what's so am I understanding there's a shift in your email for this morning, that is Luna soltera? Because you've got calls on Sunday and we have real readers on Saturday or is something blending here or returning to one call? What's what's happening? Well,
that's what I was finding was. was interesting about the last couple of years in the design science studios, we all come in with our own individual projects. And then by the end, and this was always the intention, I think of Roxy and Nico was like, it becomes a collective project where we're all working together. On the same media, basically, but their particular medium has been these immersive online events. And then they did Miami which had its own dynamic and
and I think we come at come to a sort of rocky end to that particular road and and it's also because the pandemic is sort of resolving in a way but not really. Right. So year three of the design science studio seems really kind of up in the air financially in a big way. But also in terms of the organizational structure. And so it almost falls to the people who, like the core team feels a little burnt out. There's others of us are like, Well, how do we how do we carry this forward? Because we know the intentions are really good. Maybe the the business model doesn't work or the the financial arrangements or the partnerships that we were thinking of are not not really viable, but there's something happening within the people, the people who continue to meet up that know so for me, it's recognizing well these were never separate things. They've always been connected, but I, I had my own personal window to that because I kept on joining things and then realizing, oh, maybe I'm the one that actually connects them all. And I'm not just the one like there's, there's there's many, many other nodes in the system. But it just felt like, well, we could endlessly do the same thing that the Protestants did. Which was continue to create more fragments. Have the whole and I think, yeah, that's what I'm trying to do is, is there a way to weave them all? Together? So that this sickness of separation, the idea of the other just goes away, because we recognize, like we're all looking at the same sun and moon and Earth all spinning in the same trajectories. How do we then embody this new perception new understanding and and going beyond that understanding to feeling like yeah, this is this is all one this we're all whole and we're all experiencing the same moment together. That's magic. How do we really embody that magic? And and it seems like the media that we've inherited are just, they really are trying to pull everything apart and trying to categorize the differences rather than then weaving all of those experiences together. So it's, it's being kind of playful with the technologies that that we've inherited to remind ourselves of, of this entropy and synergy and synchronicity that God is here
matches beautifully with what you were talking about in the design association of inviting, making it safe for others to invite a deeper relationship. It also points to that judgment is what prevents that it's judgment creates the other and makes it unsafe to contribute.
And
points to aneurysm which is a whatever someone is saying. There is some kernel of truth buried deep within whatever somebody's saying. And instead of just trying to change what did come out, pull on the thread of truth that was said. Right, there was a deeper kernel of truth in whatever someone was trying to express because that's the source that's trying to express it's just being filtered by the mind. Right. So anism says there's truth in everything. You just have to look carefully, or hear carefully here deeply. And pull on a dialogue with that truth. That creates a really safe space. It doesn't judge people for what they said. It. It pulls out with what they intended to say. But it was colored by their, you know, trauma or their conditioning or whatever. And so I like weaving this whole thing and how to how to help synergize the design science studio for another round, which doesn't create doesn't have the effort effort is like a direct indicator of a filter an obstruction, right? That we now have to go through. So if we can have dialogue that's based on the purpose it's more toward the great idea of the design science studio, especially in blending art with the the metaphysics and metaphysics right? Of how do we realize this oneness, but in a sovereign unity way, right where we have all these sovereign artists, all of us are these sovereign artists, offering our deeper innate gifts to the whole. And if we communicate it with that understanding, that everyone is this just divine artist, and we recognize that in each other that's a different form of organization I've referred to several times as snarky. Everything in harmony with all that is. Well, there's our goal. That's our organization model. It's already defined. We keep ignoring the blueprints all around us and within us, we keep all the cosmos is, you know, almost screaming at us now, saying, I'm showing you here's how it's organized. Right? It's it's beautifully this beautiful, dynamic equilibrium is dance of uncovering consciousness. And yeah, we could we could do that. It's okay. I don't know whose permission we need
it. Guys, I'm being asked to go to the local farmers market. See what wisdom I could discover there.
Pick up the pick up the energy signatures of all of the love that went into growing those things. So
thank you all for your time this morning. Thank you, Mark. Are you going to have a call tomorrow on Tuesday?
Yep. Yeah, the weekly Luna soltera meeting is is using the same same Zoom account. So yeah, I think he should be able, maybe not. Maybe it's a different one. If if people want to be invited to that can drop that into the chat too, or or email it around.
Just saying like, with the with the mix of what Mark You were speaking to about the world weavers becoming Luna soltara And Luna Soto is sort of like, it's like from what that you know from just what hearing and all the beautiful resonance that was in this field of today's that like world weaving is something that we've all been wanting, you know, have our minds within before the studio started it's already you know, on we're so some of us are already on those paths and we've come together within, you know, whatever frames that we have, and that you've created of this world weaving, you know, from builders to weavers and that is sort of that Luna soltara Is your world weaving project that pulls together all of these things and all of these other Weaver's are weaving can have an opportunity to weave their worlds into the Luna world, because that's the lens you're weaving with, I believe is what you're sort of in that and in that offering so just Yeah, I guess I guess that's what I think that you're trying to say is how I'm interpreting that blend of of these but being different in the same
Yeah, it's
essentially helping people see, um, my experience of all the different connections and it's that question that keeps on coming up for me is Has anybody else seen this? And so just inviting people into that, that different lens. And it doesn't have to be this all encompassing thing, but
yeah, well, but you were also speaking to a place to put all these things because I have so much content. And like I was, well yeah. And as each of you are speaking like I also have visuals to go or scans or things or like places, but there's nowhere there's hasn't been a place to put it in. Right.
So we just Yeah, so I think what I'm trying to do then is also as I've been moving around in these different communities, it seems like it's always starting a new community to then be a hub for something and that's what I'm actually trying not to do is actually be more like, Okay, well, let's start linking these things up. Because that's what we used to do on the web was everyone had a blog, everyone's was linking to each other's and we created this network that way, and then these large corporations came in and started gobbling that attention up and then said, you can you can just do all of that here. And we'll provide all the infrastructure and and then you know, absorbed all the data. So it's, it's in a way, trying to go back to that. But not, but actually move it forward. At the same time, not going back to go back and relive the past but actually to like, did you notice this was happening over here and this like, in a lot of ways, I have a hard time keeping up with it all but but it's all it's all informing me in some ways. So is there a way to do that? In a way that's not overwhelming the system?
Oh, well, maybe that's where like the Internet Archive can come in where? Yeah, so like that conversation will be wonderful because there is always content and it needs to go somewhere live somewhere in be accessible to people so they can sit in connect with it. That's like where like, you know, and Mark and Mark and like, you know, Luke was here like, everything you're saying, I just there's a vision, like, I'm so grateful to be here and with you all, so just so move but all the emergence so like that would be something to really talk about because the content can be then you you know, they're connected into institutions and different things but and bulky some of his work is there, but really to have a place to put the the sources that people can then links and make links and it's very much like, you know, pool or a honey. You know, I don't want to call it a hive anymore because that also has a different feeling. But that place where each is a pot, each is its own pod is a sphere in the set of spheres connected to spheres, and through the lens of, you know, what you're sharing with, it's that bead on that web, right. And we it's so so like, having a place for the emergence to be you know, moved around would be wonderful.
Yeah. What's coming to mind for me also, in response to the like, it can be overwhelming if you've got too much media and then trying to figure out like, what do you do with it all? What we're missing in the new media environment is editorial. You know, there used to be like an editorial board that said, this is what's important. This is what you should pay attention to. And we don't want to necessarily go back to that hierarchical control. Over over the message. But the word that came to me just now was well what about an elder Torial?
Right. Also because Ani was working with buches work, and like in like it would really be I would be really interested to have a conversation with her and also to know like, what would she have told him ahead of time, in order to have understood how to better connect his work because he has so much work like again, it's an overwhelm of how to navigate through it, but yet when it's what people are pulled to, and you know, it's sort of like each we're all hubs, and like how information is gathered is very much toward different points. Again, when you're saying the eight points I kept seeing, stooping out speaking of like the eight eyes, showing how to build it and just seeing how each point how light and like you know, have this glow, like somebody gave me this fog glow, right and like, just like how the light comes through it like at different, you know, different angles at different times in different ways, showing time and, you know, because people have things stuck. So I've just like those things are coming to me with thinking of organizing in going back to like, how, how, you know, just what, what they would say, in order to organize large, large quantities of transmedia content that then are huge, rich experiences for people this you know, this conversation like so many that we had, everyone's like, Did you record it, but then who has time to go back to all of this content yet at the same time, when information is being used in different like being consumed in order to spread in ways that give nutrition out into the field as a whole? Like, you know, there's lots to
Yeah, I guess what I'm,
I'm thinking about is the way Veronica has structured her installment journey, starting with meditation going into a transformation
phase. And then
essentially, I'm not anywhere close to this yet, but the next part is charting a path. Like what's, what's my soul's path? And then how do we invite other people into that? That same kind of journey where, you know, I've had a rare privilege of being able to do this one on one with with Veronica, but is there a way to scale that where? No, we teach other people how to coach each other. And guide each other through this process of installment. There seems to be such a hunger for like this society is not providing what I need. To nourish myself and feel feel whole and I feel like I'm being ripped apart here. By by society that is like social media is designed to separate us.
Well, we just had a whole thing where we bounce back together and you just took it out the other way.
Yeah. All right.
If we were a failure to be ripped apart at the end of it, rather than pull it back together at the end of it. Yeah. So like, what we speak really is, you know, if that's transcript went out, it'd be like Okay, where did we leave off? We were ripped apart again, by the society, but yet we were inside of an emergent field within that, just create a cohesive field that was different, and how we, you know, just I'm just reminding you again, from my you know, as Mark You were speaking like without judgment, because we all that there's a programming that went on and then if we can speak back to consciousness itself and each one and within us, then like the reminder the showing of we were remembered we remembered ourselves, we came together, but then we great, so let's keep as the remembered states of us together in a code that is without, you know, is is here, each coming from wherever we came from to, to do that. So just wanted to bring that to attune attention. Yeah.
Yeah, that's really important to the focus the tuning into that that frequency we can sort of get untuned Yeah, that's helpful.
Beautiful. Thanks. So then my sense is mentioned that Martin I think, universe showing us how that all works. And you know, keeping ourselves in health and a aligned with what's going on is, is that and it came to me that universe is giving us the message of how the whole system works, and by aligning ourselves with that system, we then
get insights into how we work together,
and that it should be effortless. Relationships should be effortless when they're right. They just happen just like we don't think about the air. We breathe, we just breathe, we don't water we drink we drink, and what happens in our metabolism and so forth. It's effortless. We don't have to think about it. How do we take that function in new ways, and new places were inspired to go that's the art where we start playing with creative process in a vast range of different mediums navigating the whole thing and in in a way that works it's a dance
just imagine you on your surfboard can't remember those waves like
was it's, it's you know, it's everywhere. That I take whether it's you know, my surfing, and my my writing all of that doing art, everything is it's all kind of the similar balance that you have an interaction you have with it. Right I did a bunch of interviews with really incredible surfboard designer named Dick Brewer, who just left his physical body few weeks ago. And a lot of times, shapers will go to the beach and they'll watch a surfer sir so that they can better design the board for them. And whenever I worked with top shapers, my objective was, you know, merge wave energy with the board as efficiently as possible. I want to I want to have maximum connection to the energy of the ocean, the craft that ride and I asked Dick how he approached it and he said, I just look at how the guy walks. People serve just the way they are. That's amazing.
That'd be really interesting to to think of like, no bespoke software for for mental states, you know, Oh, I see how you're walking your life. You need this particular. Oh, yeah, that's, that's,
I'm working on that right now. Really? Well, yeah. It'll be geo located the individual menu of what they want in how they define themselves currently, and then it will interact because every everything around this is and we included our sensors and those senses then interact with and CO create and change collective consciousness and reality. So it's
alright cosmic surfing.
Yeah. Does that evolve also, like it was more the more relationship you get in that changes? The, the way you manifest form, right? So it's, it's if we could make these fluids, surfboards, right. Then for change energetically as we change energetically to enhance the relationship with the ocean. It's like if you if you start out with a really clear surfboard, I mean, clear in meaning it's not adding anything to the field between you and the water. It's allowing your energetic field to flow right through to the water and the water to flow right back to you. Right if, if there was less than less interference, which comes with the poor design that introduces effort or introduces a filter of some kind. But to keep that dynamic, relationship open between you and the water. That would be a beautiful design. I'm always looking at design as don't make something static. Make something that helps maintain a dynamic equilibrium snarky with your environment. You want to allow it to those harmonies to be uncovered
there's, there's a guy named LAIRD HAMILTON has written big, big surf and he created this foil that is actually writing the energy, the surface of the way because in bigger surf, one of the problems is is that the surface is sometimes a bit rough. And so you get bounced off the board. So by writing a foil, you're actually writing the energy just under the surface of the wave and there's people that body surf underneath the surface of the of the way so that there's a planing part where you're planning on the water that's coming up the face, that speed of the water and the way the waters and as your paddle into it, then your board goes up on plane and you're writing that and and then as you get close to where the very top of the wave is where it starts to break, the water accelerates there as it changes direction. And so that's the fastest, most efficient cleaning energy you can get aboard so if you need to go down the line of a wave that's really fast you stay up super high, but Laird created the foil which is allowing the board to not be as influenced by the surface chop because the surface chop if if it digs in, it slows the board down just like rough when you're skiing or snowboarding. And then another thing when I was talking to Brewer was had this idea that ultimately surfers would be riding a water ski kind of board with straps. And he had that idea I think in the 70s and so ultimately we got to the place where we started telling in Surfers on with jet skis on toe boards with foot straps. And Brewer built some of those as well. But
you know that was
to handle that that similar thing about the board. You know not being influenced by the chop. And, and I asked him I said when you have ideas for design, how how come you don't just do the idea? How can I ask them how far ahead do you have designs is seven designs of what I'm making currently. Most of all just make some design now. Me goes because there isn't a surfer that has the physical ability to ride the boards I have in mind to have to evolve the ability of the surfer to be able to ride. Now we're riding everything. They're riding foils. They're writing boards with straps that they're getting towed into paddling they're doing doing you know it's all cross pollinating. Interests interesting.
I have a friend who is a who does kite surf boards with I just, I just thought so and at the end, you know his wife actually, at some point when you're talking to stupid I was like, Oh does he want to make surfboards because they make they make Kiteboards but I was like I can introduce you to her because she would love to do something that was like, you know have like, you know Bucky thinking s kind of thing. Anyway, it's in em in Mill Valley. But I just also wanted to say like sort of like as you keep speaking and being us as the bodies that we are living in water and like these are our boards in a sense of what we have to balance upon and be upon and when we're not getting. So you know, chopped up in the water right when we're above that line, then, you know, then we're able to really ride this so it just sort of kind of wove back in so thank you.
I'm in Marin too, so
Okay, great. Okay, okay.
Yes, I'm gonna I'm gonna run I've got to move a car and get off my butt. So
just for your charge. When you married, snow skiing and surfing. I started out with a snare for back in 72. That was the prequel to snowboard. Right? And we did and we did put bindings because we wanted to get way more air than we could with just standing on it with a little string attached to the front. Yeah, it was a lot of fun sniffers.
Yeah. Cool. All right.
All right. So my friend and we need another catch up, George for sure what has transpired since our last one.
Okay, thanks.
Take care.
Thank you. Love, love,
love. Love you George Well, oh, bread bread. Brad is just came in. He did. But he's incognito. He's hiding in the void
Yeah, well, just as we're going and and probably to this or did you have any other any thoughts?
I'm good. There's there's way too much to to jumped into this was beautiful. And thank you so much, Steven, for sharing the latest in esoteric stuff. Yeah. Yeah, it's just I really love what's coming out of that. That's just beautiful. Thanks. Yeah, yeah.
I appreciate it. Yeah,
I'm here. Just in time to say goodbye apparently. Yeah.
Yeah, we started out with time zones as a as a topic and how it relates to the different energies during the day. And so your relationship with different energies like the East energy from 6am till 9am or thereabouts, right? That follows the sun around, right. So if we're in communication and you're in the East energy, but I'm already in the southeast energy, right? Or I'm in the West energy, or my favorite, the Northeast energy which is between, like birth and death, it's the Bardo, it's the in between the East is the birth right. Well, the North was the passing into that near death experience, location that, that in between death and birth, that Bardo state, so that's my favorite energy on the planet. Because locally, it's always local, right? Because northeast, energy travels around, right? But when you're in that state, your local interference patterns are very low, because most people are sleeping from 3am to 6am. And they're in a dream state, which is sometimes a part of that Bardo state, you know, it's a next dimension of interface. So there are fewer nightmares than there are dreams. So it's less of an interference in your relationship with directly with Earth. So it's calling in these other dimensions and the other dimension of mind of Earth. And I love that. We can tune in so much more clearly during that period of day. That's why I usually have one of my wanders somewhere between three and 6am. It's, I used to do sit spots then but I now I like to do the walking six plants. It's about since I'm sitting so too often. And it is such a wonderful time to see this relationship with the energies of Earth and the multi dimensional relationship that you can form with the planet through all of the eight you know, directions of energy. It's and then to pick those up in dialogue on remote dialogues. Right with Oh Stevens in me see it's as South energy here now so he's still back in East energy in in that part of the West, right.
I forget where you are, Brad, but very close to Stephen.
Okay. So you're both in East energy. Well, I'm, I'm already in South energy. Right. So how we communicate is different. Right? But if we're cognizant of who we're communicating with, and say, Well, I'm going to communicate with you guys in East energy that will convey much more resonant and harmonious communication. This, this taps into something in human design that is when you have an open voice or open throat center in human design, which means you don't have an innate energy source within that chakra within that energy center. But what you can do is you can take with somebody else's energy is whatever they're communicating, you can take that energy and reflected back to them amplified for the source of your communication, so you always seem to know the right languaging based on who you're communicating with because you're just taking their energy and reflecting it back to them so you can choose the right words for them. That's the virtue of having an open throat Center, which is people like Oprah, right? They have an open throat. So whoever they're talking with, they just reflect back to them there where it's in a language that she can really utilize. It's it's fun to play with that when we're talking about energy's invisible economy and the invisible communication and the invisible governance that's in harmony. With all that is, the sin Ark is already there. Right? We're just not tapped into it. But we're getting there. We're uncovering it.
I'm glad I joined just long enough to hear the Hedmark that's awesome. I, as you were talking about energies and and timezones in that that shifts it brought to mind and this is a little different, but it's it's sort of similar has a similar resonance. There was a moment I remember very distinctly in university. It was here in in Langley, which is just outside of Vancouver, and it was in the middle of winter. And it snows very, very infrequently here. And certainly in those years. This was the mid 90s When I was in university. And this one day, it just came down and the entire campus was blanketed in snow. And everything that you can do with snow was being done. There was a massive campus wide snowball fight. People were doing snow angels like absolutely everything was going it was pandemonium the whole day. It was just this massive amount of outpouring of energy. And well, after the normal day had ended, it was about in that realm of kind of between three and 6am I just went outside and it was completely quiet. You know that that snow eerie kind of quiet. And what a contrast between the energy of the day loud raucous, everything's happening and then this totally still tranquility. But you can see all the evidence of the day's actions all in the snow, the snow footprints in the snow balls that are you know, kind of scattered around and stuff and I took a chair I just grabbed a chair and sat outside for ages just listening to the echoes of what had happened. And and watching the scene as it was in this this like almost eerie tranquility with all of the people who were in this all asleep around in their dorms and whatever and I was just mesmerized by this sort of juxtaposition of all of that energy being poured out and it's still there somehow, like there's evidence of it and there's there's the echoes are really heard like the echoes of, of the laughter and the shrieks and all of the stuff and and yet the reality was just total tranquility. I was like this is a fascinating moment and nobody else is here to share it right like this is just me experiencing this completely isolated and alone. Nobody else was walking around. It was just Yeah, it was a moment.
Let's share it in the dream space with them also. But it's it's a form of water memory and water mind. Right. So the it's captured in the forms from the energetic activities that created these things and the water is holding it in memory, which has all the energy still there. And that's the interface with water that we utilize. And it's much more subtle in the liquid form or in the vapor form, but it's still there in the memory and that's why Pat McCabe calls it the Akashic Record of Earth is water. It was here before even the fungi, which was here before photosynthesis in plants. Right? We have different ways of translating energy or transmuting energy and water does it really in a most epic way. And Viktor Schauberger you know, just just the relationship with the consciousness of water, that he explored the consciousness of water. He surrendered his own consciousness to the consciousness of water going down the stream until his consciousness returned with the language of water with the understanding of water. That's why he was so brilliant such a such a second order genius of understanding the dynamics of water and how it not just the pattern recognition but the process recognition. How it's living water, it's got its own it's an artist. It's stuff I shared from VEDA, Austin, the artists
that, you
know, puts puts a portrait underneath a clear tray of water right? And then freezes the water and you see the waters interpretation of the artwork. Wow. And its interpretive. It's not a copy of it. It's a an interpretation of the art field that it perceived. It's made it's amazing stuff. It's I've got a whole list of her images in my water research notes. That yeah, VEDA Austin. Amazing. uncover it of the artistry of water.
How do you spell VEDA?
V EDA. Okay. Yeah, I got real handy if I can share that for a moment. Or a research Oh, you've disabled screenshare you oh my gosh, what is setting?
I still haven't found where you turn that off. Oh, you're on.
It's in the advanced settings of zoom. Yeah, yeah. Did you make me a co host? At least?
Forgot to do that
too. That's probably why. Yeah.
I have mine set so anyone can share their screen because I'm not afraid of zoom. Yeah. I figure the energy energetic level of our dialogues is so outside of their energetic interpretation. Right? That it it just kind of almost literally goes over their head. Right? They're not perceiving the energetic levels that we're having dialogue around. So the Zoom bomber is there to cause disruption, right? Like a troll. I have no problems with trolls. Trolls never visit me. No matter what I post. It's like way cool. I found a great troll filter just operate in this dimension. They don't perceive it I love it. Yeah, okay, so here's my notes, my water notes. I've shared these before. This is the Masaru Emoto stuff with water right. And this is the cavitation of water how much energy is released. The crystal in form of water that not ice and then how it goes into here's some of the imagery from beta Austin Yeah, Archer down the right and Arctic the interpretation of the water. And here's the word wedding. And what water interpreted wedding to be. Isn't that cool? Yeah. And here's a unicorn. Very cool stuff. And there's more of them. But that's the work of beta Austin. Throw this link in.
Put both of those links
in. She's in New Zealand apparently. Yeah, I have her Instagram page up now. Yeah.
Yeah, she's way cool. Yeah. Some of those videos talk that she has been experimenting with how water interprets language as well as art. It's part of conscious linguistics is why it's how I actually found her through conscious linguistics. Anyway, yeah,
very cool. There's two names there that I'm going to do more research on.
Oh, yeah. Yeah, yeah, I can't take. Yeah, my list of my list of water sources is quite long. I was I only scrolled through parts of the page, you know, the my water research page. But there's home man, there's some amazing stuff in water. And it's so dynamic in relationship, since I think the last time I talked about water was a while back. I think there was a so yeah, beyond this stuff we get into the other artists tree of the Norwegian photographer, Ronnie tritanus. How dropping water into water doesn't always produce the same effect. It depends is different. It's always different, right? And it's based on the energy and memory of that particular water and the epigenetic energy signatures in the field at the time, so it's almost like who's ever taking the photograph is affecting how the water is going to interpret the drop. Because the energy signatures are our share. And so there's so many beautiful artistic renderings of water droplets. And then there's the how it water binds to our double helix of DNA. And it binds in the fourth phase of water binds in the H 302 form of water, which has very specific energetic properties. It acts has just like it does with inside the cell. And outside of cell membrane. Water also binds they're in the fourth phase, which excludes almost everything else besides hydrogen and oxygen, so it's like a filter which is one of the regulatory transitions in cell membranes is the water filter. Water, not filtering water, but the water as a filter as a regulating part of the membrane. And it when the cell says through communication through that fourth phase of water, it says, I'm looking for this. Then the water will allow that to find the receptor site on the cell membrane. It'll allow it through. Otherwise it doesn't let it through. Isn't that cool? When this when the cell wants to get rid of something? It says this should have clear passage. The water is communicating with water on both sides of the membrane. And when we disrupt the fourth phase of water with chemicals, like glyphosate, which are water soluble, which actually interpolate the water communication that's why we get things like leaky gut and we have other systems that you know why viruses are it's harder to resist a virus communicating because your immune system has been somewhat compromised. And it's trying to do its job of communicating environmental information. But I'm thinking of the epigenetic effect of water that's around the double helix. When we looked at mastery motos work, or we look at VEDA Austin's work, and we see how and how water behaves, based on the energetic field if we're exposing the water in our system, to beautiful experiences beautiful emotions. What epigenetic effect does it have on our DNA when it's bound to the double helix? What kinds of healing energies can be transferred through water to our genetics directly?
This brings up something that Zack Bush talked about in a call I had with him a few weeks ago with George
and we're talking about transferring the energy signature of certain plant medicines instead of getting the actual plant medicine molecules to get inside the cell
we're going to what this is what Zacks already been working on which is imprinting the energy signature of the molecule into water so that it can go in and out of the cell without taking up a receptor site. So it can transfer the information to the cell or to the DNA
without having to go through any membrane interface. It's a it's just, this is like cutting edge water medicine,
of taking any energy signatures that we want from any healthy plants and getting that into our system. So it gives like water. You know if you had a field that protected the water, from influence from other energy signatures and you just bottled water with the most nutritious energy signatures right and then drink the water you wouldn't have to eat anything. And I know it's a dynamic process and it's some people need something other than that, but it eliminates some of the problems of eating healthy food when your system is not prepared for healthy food. Like if you've got leaky gut eating some kale is not going to be a nice experience. Those those less soluble fibers from kale are going to leak through your gut and cause all kinds of bloating and infirm inflammation. Because they're supposed to be made into soluble fibers in the gut before they're being utilized by the bacteria in the rest of the system. So it's what Zack discovered when he went down to this food desert in in in I think it was in West Virginia. It might have been Virginia. I think it's in Virginia, where he started his practice down there ran a clinic and started saying Okay, well let's get people on a healthy diet if they're suffering from some chronic illness. And they actually get worse instead of better with what he knew was a healthy diet. But it is healthy if your gut is in good form if your microbiome is in good shape, if you got leaky gut and a horrible microbiome based on junk food, no, that's not going to be healthy diet. But you heal the gut lining and you heal the microbiome and then now it really knows what to do with healthy energy signatures. This can all be done through breath by the way I'm living proof. Even the water you can breathe it in and condition the water as you breathe it in. Yeah, just love the water that you're breathing in. Unconditionally. Any anything your body craves after you've got it all in good working order anything it craves now is just more of that really good, rich energy signatures that are in harmony with the whole system. And just breathe that in with every breath. I'm eating all the time. I'm drinking all the time. And it's
it's such a such a freeing liberating condition. Oh my gosh. I have more energy and better perceptions than I've ever had in this body. That doesn't require food, drink or sleep. It's like it has no emotional hunger. No spiritual hunger. Definitely no mental hunger. No. It's like, ah well here's the adjacent possible for humanity that's lovely.
And I'm still not
proselytizing or evangelizing. breatharianism yet, I'm still fine tuning it and then building a bridge to it. So that it makes it easy for everyone to experience it at a really easy level first, and just a gradient approach to it to work out. Here's a nice path for everyone. It'll free up attention and assist the conscious evolution while maintaining the aesthetics and grace. So are you doing
this as a personal experiment or are you being mentored by other people who have gone through this, this process or experience?
I'm picking up lots of stuff from others that have done it, but with my own insights and my own multi dimensional perspectives, especially being a student of Advaita Vedanta for so many decades now? Well, it goes 1000s of years. When you think about it. The i i Look at all knowledge and wisdom as being timeless. It's just there now. And so with that perspective, it's all accessible. And that's one of the primary reasons I started conscious linguistics was to say, but how do we describe it? Or how do we at least point to it elegantly. And at some point, it goes beyond verbalizing or writing it down. It goes beyond that to where it doesn't have to be spoken. But it's communicating anyway. You know, it's the telepathic empathic energy signatures that communicate more than words can. It's the language of the ineffable, right? That's conscious linguistics. So we bridged dimensions to describe some of this, these insights. And I'm still a hack is in terms of trying to come up with that because I don't want to do it alone ever. So I always try to form these triads now, at least, where I have truth, love and beauty represented. And the beauty is the artist or the poet. That's part of that's going to add the beauty to the language that's expressing the truth which is pointing toward Absolute Truth, the mental path that we take. Just like I reviewed two weeks ago with it, that trinity of truth, love and beauty. I saw you playing around on that mirror board. By the way, Steven couldn't get away from me. I just happened to be showing it to somebody when I saw your icon drifting around it.
Know what I was doing
them? Synchronicity Yeah, because you weren't spending a lot of time I'm sure but I'm just happened to be sharing it with somebody when I said Oh cool. Stephens looking at it right now.
Right. Yeah. I think I I kept that link open for a while just to make sure I had recorded it somewhere. And yeah, cool. Yeah.
Yeah, well, it's it hasn't evolved much since because I got pulled off on a whole bunch of other things. There's a lot of events happening this week in Europe, and yeah, it's so it's such exciting stuff. Anyway. I'm just
I'm trying to think back to the last time I heard a sermon about living water. Because it's definitely in the text there.
It is, and the way that it's treated as so superficially Oh, yeah. Yeah, and it's the it's the illusion of depth. It's the illusion of tapping into something that is spiritually rich, but I don't. I'm becoming more and more convinced that Christianity as a as a system, and a codified religion, doesn't understand spiritual depth. That's just
got covered up. Yeah. I still highly recommend the book, Love without end to get a much clearer understanding of Christ consciousness. It's does a lot of the reframing of how it got translated and separated, dumbed down, confused, for control purposes, mostly, but there is a whole bunch of other reasons that it it got changed. And the beauty with which it's written, speaks volumes. But there isn't a well there is a section 314 Is it by Glenda
green?
Yep. Yeah, but make sure and get the the international I know the 20th anniversary edition. Okay. Looks like this. Okay, because that one has an index. It's the first one that had an index and you're going to want an index. And I'm reading it again, but with the language of human design and the gene keys, the understanding of the meaning of words from a multi dimensional psychology and rereading it, it's like, oh, yeah, that's why this communicated at such a. Such a larger dimension.
Exactly.
Right. Yeah. On page 314. Talks about water. Said Glenda when asked him something in previous things, said any replied the void was a magnetic vortex created within the one spirit through which, and I have to tell you what Adam and team particles are.
Adam and team particles are like it's like the particle that isn't a particle. It's like the representation of motion at its most fundamental right, so it's the the, the motion versus the no motion. The no motion is God. Which includes all motion. And that creation is based on this finest element of motion called an adamantium particle, which you'll never find. Right? If you're looking for a particular static thing, no, it's not. It's like quantum fluctuations, right? They come in and out of existence. Yeah. form comes in and out of existence. Sometimes really rapidly and coherently. That's what we call what we experience, right? But it's also perceivable. But anyway, they did talks about the adamantium particles here. were called into assembly. Then he proceeded to explain that, in ancient symbolism, water represented magnetic influence and attraction, not necessarily the liquid substance itself. And this is Yeshua speaking again. Often in the metaphorical language. of biblical times, water was a symbol for attraction. At last, the first words of Genesis made sense to me. Even today with and this is Glenda speaking, or writing, even today, we associate the magnetic pole of the moon with a high tides and we still associate the element of water with magnetic fields or properties. And in another location in this sea, he talks about love as being magnetic in more than one way. And that love is what we are. And I think that is the most profound way of representing how we show up in the world. Even with the filters, right, all the mind filters on every energy center within a body. Everything's got this interface. Between motion and no motion. There's this interface we call mind that interprets and mind is these energetic fields around everything. So like, if you think of mine, think of the toroidal energetic fields around your head, or the round your heart or around your gut or around each energy center or the soul mind as an energetic field that interprets things when you leave your body. Right? That's also within your body. That's the mind field. Not the mind field. But and it's influenced just like the mind of water is influenced, just like the mind of Earth itself, is influenced. That toroidal magnetic field is mind. How we interpret experience and how we color expression is all through the mind field. And it's all just starts to make such sense when you start piecing all of it together. Now you can see relationships so much more clearly. And you can see what's covering up a relationship, right? What's interfering with the relationship. And don't ignore it. Just speak through it to what's behind it. The magic that's right behind that interference pattern. Right? That filter just, you know what's behind it. You know, it's all unconditional love underneath everything. Look at anything and see the face of God. It's always been there.
It's amazing.
You guys bring it out of me. This is my this is my source feeding for every other source. synergistic dialogues are my favorite form of media these days.
Yeah, definitely. I'm with you on that.
Yeah, there's this podcast that I was listening to. Just yesterday, and it's a kind of speaking to avoid. Avoid in the Canadian culture. Yeah. are quite great reality.
And
maybe that's that's probably what's happening here is it was a kind of like, vacuum. In our, our Canadian experience that sort of draws out these ideas of we're we're looking for places where we can connect to spirit, and it's almost like an unwritten rule in Canadian society. You're not supposed to talk about this stuff. 90 You know, it's don't don't even question that. There. There could be something like this or you're gonna ruffle some feathers or disturb the waters or whatever.
Yeah. There's a lot of mental interference. Yeah, yeah. It's also very traumatized. Yes. Aspects of mine. Right. Yeah. And so, whenever you see that though, it's again speaking through that knowing, knowing that the dolt dialogue you want is not with the bad wolf. It's not with the trauma. And this is not bypassing the trauma. This is speaking through the trauma and if you do it with these beautiful questions, get it engages because that's why I call them multidomain beautiful multi dimensional mentoring questions in conscious linguistics, beautiful, so they cut through more mental machinery per word than scientist can muster. There the poet's version of what you're trying to communicate. It will cut through the limitations that science has put there. As the only the objective reality, not the hidden reality. It's hard to actually see love. It's hard to see awareness. But if you communicate with awareness or you communicate with love, somehow that works. Right? It cuts through the barriers to don't bring up God or politics at Thanksgiving. Yeah,
that's right. That's right.
So that's the point trying to make is that the mind of Canada right now. Is been traumatized yet. Again, with restrictions and separation sickness and judgment and in fear and it just got re stimulated again and again and again. And that taps into the guilt of the sins they committed. With residential schools and destroying the environment or making it much more toxic for all living things. That we can't adapt fast enough unless we do it consciously. If we're doing it with Western medicine, we're in western understanding of genetics and limited understanding of water or limited understanding of what a virus is. If we have limited understanding, we won't adapt fast enough to the changes we've imparted the trauma we've incurred right? But with what we're talking about it here in this in this group is always Oh, yeah, we can adapt much faster than anyone in history has ever adapted. Because we're working with the energetic fields we're not working with the objective science fields. Our mind is our energetic field.
And what I love about the way that you approach this mark, is that you're not ignoring the science. It works together. It's it's not in my background. And my inherited default is to separate those things really starkly that there's a scientific awareness and an a kind of studious mind and then there's spiritual awareness and these things are, are inseparable. They might not be incompatible, but they're, I mean, they're, they're not you can't put them together. They might not be compatible, but they certainly couldn't fit in the same genre. And I think this is why Christians get especially contemporary fundamentalist Christians get nervous when they find out that a lot of the scientists that they eagerly or flip flippantly denigrate our Christian book. Yeah, exactly. So part of their study was driven by an exploration of, of God as manifest in in God's creation. Yeah. And then what happens is, you know, 100 years later, or whatever it is, there's there's this massive backlash to that. And it's like we're returning to the simplistic scared systems that Galileo faced. It doesn't have to be like that.
No, and that whole separation of science and religion that occurred during the quote unquote, enlightenment. But it's, it's all it's all one. It's all coming back together. And I think I pointed this out a couple of weeks ago. It's one of the primary evolutionary aspects of this reunion. This remembering, of science and spirituality. is coming about in the best indicator of that is the aspects of quantum information physics and quantum field physics. The science not going deep enough down that path and still sticking with the materialistic objective, you know, versions of science. But as you go into the quantum physics, aspects of science it's one of the primary reasons for the replication crisis in peer reviewed studies. It's really difficult when you have different observers trying to do the same experiment with different levels of understanding different belief systems. And they can't replicate it because they influence it differently than the first one. And finally, we're starting to recognize that more and more and it's, it's starting to show why the placebo works, why the know SIBO works, why the you know, the tele SIBO works. It's this influence of consciousness on your health. is colored by your belief system. The observer is going looking through a filter and producing a certain outcome. And oh, and you start to realize that you say, Wow, we need to get better filters. Or cleaning windows. Yes. You know, clean the windows for goodness sake. We're looking through clean those lenses. Because there's and this is where you start to see nature has been showing us how to do things all along. The cosmos has been right there. This is how it works. We've had these blinders on. We've been wearing different colored sunglasses and or looking through stained glass windows or looking through, you know, education or looking through the shadows of trauma, right and we, we can't see what how nature works.
I really appreciate that. You keep bringing that word trauma back into this. And I also love that you've said we don't bypass it but we speak through it. And to me, that's been that's been a growing awareness for me is that trauma is built into everything. But the system that we've kind of arrived at is to ignore it, bypass it and continue. Yeah, which means that we're perpetuating the trauma exactly in some other way and in some other form, so it keeps changing, but trauma is the the unfortunate constant in
developments, right? Yeah,
exactly. Yeah.
And it's not just trauma from your lifetime, right? It's genetic trauma that goes all the way back and it's water trauma that goes all the way back, the recording water recording all trauma on the planet. Okay, now that water is flowing through you and it's changing out all the time. And that energetic signature, you know, it has to be an immense amount of constraint on the infinite potential that humans represent. So, that's the, if you're unlimited. Imagine how much memory of trauma must be holding you back and keeping you from being the reflection of God you are right. So when we start to understand that a little bit, all you have to do is go I get it so much, somebody's right. There you are. Then not now all you do is figure out how to translate that. Which is what I said a little I said a little bit of time aside every day. It's usually between somewhere between four and 5am. Right in the Northeast energy right in the Bardo. So I harmonized with the energy in my location so that I get a really clear dimension I have this interdimensional download and exchange right with the other dimensions. And then I set a little time after this exchange, which I used to do in a sleep state, but now I don't bother with the sleep. I just remain conscious because I want to engage my conscious filter, right my conscious interface, because that's what I'm going to cause I have to go through a translation. After I've understood this other dimension, aspect, then I have to translate it into how am I going to communicate this to others? What kind of energetic signature Am I gonna use? Not just the words because I'm still not really good with words. But I love partnering with like I said, truth, love and beauty, to say how would we word this and in not just physically, not just verbally, but energetically? Intentionally? How would we go beyond just the words to communicate this? It's like that one mentor. I've told this story before. The master that I worked with on this renovation team who shot himself in the foot just to disk with a nail gun just to distract me enough that I didn't didn't notice him asked me a question. And he didn't use words to ask me this beautiful question. But I got it. And when I received this question, energetically it was like, Okay, you want access to Akasha Here you go. All of your experiences are now ordered. You can see all the relationships you've experienced. And see how wet that imprinting of experiences in the universe. So, with one question, one beautiful question that didn't include any words. He opened up Akasha for me, and it took me 10 days of going What the hell was that? All I know, it was the most beautiful question I've ever heard, but I can't think of what words he used. And I went back to him after 10 days after I got back in my body enough to move it and function. I asked him done, what were those words you use to be in that question? You know, the ones you use right after you shot your foot, you know, with the nail gun to the floor. And you said oh, there were no words. That question comes from the 22nd dimension. So, there's that aspect of conscious linguistics that we're going to be playing, where we're trying to take these beautiful questions from other dimensions to communicate with the multi dimensional beings that are here, that we're not perceiving them. But that's just like the like a trauma, right? that's preventing you from seeing the other dimensions that you are. So that's why I listened to non dualists and I because they're trying to describe the ineffable. I listen to books that channel Christ consciousness, I look at the languaging being used, and how beautiful it is. And I read the poets, right, especially the mystic poets and really see that beautiful language. And then I say, Okay, I see the dimensions that they're trying to tap into here with that language. Now, and I never I never thought of this before. But when a book is actually written, the author is placing their intention
into the Word.
And when you can pick up the intention between when somebody who wrote it says it in somebody who copies it and then presents their copy of it without the intention and how it communicates differently. It's fantastic to see the hidden energy in the words. If it was written by the author, it has the intention and energy signature of the author
or the channeling
of the author, right. But when somebody just copies it, and presents it without an understanding, just makes a copy and presents it over here without an understanding when they pass it on to somebody else. Hmm. It's lacking some of that intention. It's lacking that energy. And I wouldn't have thought that being a scientist also right right. We said wait a minute. That's that invisible stuff again.
You know, I just watched I was able to take in Hamilton, the big Broadway production. It's it's traveled to the Vancouver theatre. And so as you're talking about that, I think about the production of Hamilton and the multiplicity of intentions that I witnessed. Oh, yeah, a
lot of voices to so
many voices. And so like, I mean, there's the there's the script, language. Yes. Oh, my language, and music,
Hamilton, and oh, my gosh, Jefferson, and these guys are just really eloquent in communicating ideas.
Yeah, the power of I mean, we're here in this thing called World Weaver's and they built a nation out of words. Yeah, effectively like that. That was the start of this thing, thinking through what their intentions would be and how that would carry over. And now all of those intentions and all of the ways that they've been interpreted and misinterpreted and used nobly and ignobly in all of the intervening years, and now it's being reinterpreted.
By
Lin Melba, Lin Manuel Miranda, and a whole cast to showcase some of the racial disparity that was built into all of that eloquence and all of the nobility of those words and those intentions, they, they were still short sighted. And, and so there's this, there's this fantastic, mutual thing that's happening of honoring, but also challenging and, and kind of undermining. And in the case of, of the way that King George is represented, not kind of undermining hilariously and articulately undermining the reality of monarchy and the I don't know if you're familiar with the musical at all, but King George gets up on stage. Isolated entirely and sings and Ode to his abusive relationship with the states. Yeah. And, and it's hilarious, but it's also horrific, like it's just, it's this. When you get the reality of it, what was what was made into this and what the cost of it was and has been it it's let's just say it's worthy of all the attention it's getting. And, and I'm gratified that it's getting that kind of attention, because there's people who are able to extract so many different meanings out of it. I mean, it's catchy, and it's fun. So there's people who are just entertained, but there's so much depth in the cultural moment that it represents, and what it really frames and what it allows conversations to develop around. It's it's kind of apocalyptic. Not, not angrily and NOT. NOT arrogantly, but playfully and I think in that sense, it's winsome, because it's it's speaking like like you've been saying it's it's an example of speaking through the trauma, that trauma is all in it. It's it's not shielded in any way. It's not turning the guys who who, you know, the founding fathers are not turned into blameless heroes and innocent and whatever. And yet there is this this profound optimism that shows up in what they're trying to do, and and how they're working together to make it happen. Yeah,
you know, it's often missed a great deal is in Ben Franklin, who spent a lot of time with the Mohawk or couldn't asone a nation and the great law of peace. That was part of the Iroquois Confederacy is what you'd call it, and how much of that was taken for the US Constitution and the directly direct Declaration of Independence and so many aspects the three branches of government come from the great law of peace. Although the Supreme Court in our judicial system, that third that third branch of government or that branch of government, was actually mostly the women's councils who had the ability to oust the chief, just like our Supreme Court cuts. But they were the wise ones because they were thinking seven generations. Yes. And, but we didn't have a woman on the Supreme Court. To win.
Yeah, right.
So we kind of had that trauma, put on top of the great law of peace. And the great law of peace is is an amazing it's like its own Messiah story. The Peacemaker I have a recording of the great the peacemakers journey,
which was
told by an elder an ancestor note, Chief, Jake swamp, and it's it's such a beautiful, beautiful story of the dynamics of governance in peace. Or governance by war. Governance by force and control or governance by relationship and cooperation and therefore co creation and to see the language that inspired you know, good talk about where did the Constitution Where did the forefather in the Founding Fathers get their inspiration right. In a go to the sources of inspirational ideas about forming a nation and how they colored it because they came from war. Right, and how they colored and factored in the trauma even into a beautiful dialog which had this beautiful source buried underneath kind of war mentality. It mitigated some of the war mentality but we have the how many wars followed that right or led up to that and then follow that train? Right? They didn't quite get the peacemakers and they didn't get the understanding of the peacemaker. who my favorite part of it was when he got he convinced these warring nations in the in the East eastern part of the United States. You got these five or six warring nations to all the one who they all feared the most, because they the one chief was the most powerful and most ruthless and had so many conquests right. That they convinced all the other nations that the law of peace was a beautiful way to work together instead of killing each other off and fighting each other. So convinced all but this one and he goes to present the two the one and he had already gone once and this chief said no. But then once he had all the others in agreement, and he even had to go through this initiation of Peacemaker where he had to climb this very tall tree that was on the edge of a cliff that went down to a river down below, and he had to climb up. And once they pushed this tree over, uprooted the tree where he would fall down into the river down this tall cliff, if he survived that they would believe he was speaking from the Creator. And of course he does, and of course they do. Sign on to the love piece. But then there's last one he still refuses. So the peacemaker goes another time says now that all the other nations around you have signed on to this. They all agreed to put you in charge of the peace. Call it I call it a tantric flip. Where you, you leave them in control, you leave them with all their power, but now they have a different mode of operation, that they're now in charge of the peace, not the war. And is what formed the Iroquois Confederacy and that was the some of the stuff that and it was Madison and Jefferson also were familiar with the wooden asone and I think got a lot of their inspiration about how to do things differently from the great law of peace and this PBS special on it
that I put in there.
There was a there's another piece that shows them side by side and draws links between the different aspects of it. I forget where that is. It's in my notes somewhere. Yeah. Writing and I like going always go to source. Yeah, try to get as close to the source as you can. Inspiration or
the magic of source. It heals everything. Even psychologically even through all trauma. If you go back to the original trauma,
which is the idea of being separated from source, the original trauma How can you be separate from source? Didn't you just put a finite limit on source? Didn't you say you are no longer source Hmm. Well, that's impossible. First of all literally impossible. That's why whenever I say you are unconditional love. That's why I always put unconditional in there because way too many conditions that humans have put on love and source sources infinite. How can it not include you? How can you possibly be separate from it?
Yes.
You just insulted God. You don't include me sorry. You don't include me. Here's the the original trauma
Yes.
In love without end he says judgment was the original sin because it created other
Wow.
Pretty profound
to like choosing, choosing between a couple of trees, judging one better than the other. There's difference
in discernment is not judgment. Yeah, discernment is seeing the relationship between things. It's not separate. It's a relationship. It's all connected. So there's a difference in again language, it can be it can be enlightening or it can be you know, blinding, not in a good way. It can be muddy and it can be filtering. It can be the source of separation sickness, which I frequently ascribe to judgment or fear is the source of separation sickness. Yeah,
yeah, I think I think Stephen that's kind of your point right? The the identity of a tree to say you can't eat this, that that's where the separation is. And then 10 temptation is well, why not? Let's find out why. There's a separation.
And
yeah, well,
I'm just thinking about the names, you know, the names of the trees and and maybe going back to what Mark speaks to a lot of the the truth love and beauty. I would think of is like the wholeness of one tree, the tree of life. Or you could choose
just
the bias of the mind to go no, I'd rather no good and evil like that seems tantalizing to be like and, and so getting stuck in the trap of the mind rather than just the full embodiment of being human. There's also sensations and feelings and and being able to,
to
in enjoy everything in the garden, but then just sort of like it's still on almost a self limiting decision of that.
I'm starting
to see God as the other and trying to lay a power trip on. It was maybe the interpretation of well, who does God think he is? That he can limit my choice between these two things. I'm just gonna like, but I don't know. Whether that you know, that's that story is historically true, or just mythically true, right? It's how we get stuck in those patterns of
have then,
oh, I could put my ego over another and then I get into a different kind of relationship of, Oh, something went wrong there. And now I'm going to blame someone else for something. I just did
something that I just did. Yes. Exactly.
And and it's interesting like the Dan Koch in you have permission podcast, just released something on spiritual bypass. And, you know, he came into the conversation with this. Christianity. I don't know what it's doing. It just seems to be like doing everything to not not face the reality and any, any kind of ideology that it can create, to go Yeah, we know good from bad and that's that's how we're going to deal with the whole situation is just you just keep on going back to that. That original sin of judgment.
Just keep labeling stuff. You have the authority. You have the mandate. Oh my goodness. Right.
Is nature do with good and bad? What does God do with good and bad?
Well, Veronica was having this discussion about like, well, just meditation while you're sitting on the toilet, and just try to find the line between clean and dirty or immaculate, and defiled. Try to find where that line is. I bet you can't find it.
Yeah, it's just like, between our three perspectives of awareness, right. Where does your awareness stop in mind start Yeah. Yeah, there's no separation there. It's just one awareness. The greatest illusion is the illusion of separation right. And that we identify with the sovereign aspect we identify with the the mental and emotional fields. Around these bodies we identify as those which seem separate. But they're all within
awareness. Yeah.
And there is no separation. And it's all connected like the two trees. If you don't see the energetic field that connects them. You're just not paying attention. Right? And that's another thing I got from the sit spots, whereas just sitting out there as still as possible so that I could detect any motion, even subterranean motion the water motion, the air motion, the energetic field interactions and the relationships between the ants and the and all of those, especially at different times of day to see the different energy signatures to perceive these different energy signatures that mimic my own. Right energetic signatures that occur different times of the day or net, right. And the effect of the moon on water at night, right. Being the closest celestial body to influence electromagnetically, but there's the electromagnetic and radiation that comes from the sun. That filters through the mind of Earth, which is that toroidal field that surrounds the planet. That's the mind of Earth and how the Earth is interpreting the different radiations that are occurring in this sector of the universe, which Earth has never been in before, by the way. Keep trying to tell people wait a minute. This Super Cluster of galaxies that we're part of, is also moving in the universe. So our little solar system has never been in this sector of the universe. So our star is influenced by the Akashic record of what has been in this universe,
this sector of the universe,
it's that those fields are interacting. It's so connected. And it's just for a freaking miracle to see how we're doing what we're doing right here, right now. How we could even be talking about this stuff. And seeing it and realizing how it's also dancing together. In some coherent fashion, might get this is actually coherent. Yeah, we're maintaining farm. We're tapping into other dimensions. We're seeing the relationships. Wow. That's cool. Yeah,
I've had a revelation similar like that. I've just noticed a change in myself. I don't even know when it happened. But when I see somebody who's walking with great difficulty, I tend to tune in and notice it. And in an immature way, I would tune in and notice it. And I would have some kind of measure of pity for somebody who is walking in a way that obviously shows that they're walking with great difficulty. They're either they're old and they're their joints aren't working properly or they've got balance issues, or whatever it is, I've just tuned in. I would feel this kind of it was definitely coming from a place of superiority, right? This is like pity I'm I'm imposing this thing. Oh, that must be hard. It feels sorry for them. And I've noticed this flip recently where if I see somebody walking with difficulty, I just think walking is a miracle. It's a miracle for all of us. I've watched kids, my own kids learn how to do it. And it's something that you can't teach. It's something that you can guide and you can, you know, prevent them from falling, but that figuring out how my body works and how balance works, and it's something that it's innate. And so there's all of these internal systems, but then when you talk about at this level, this kind of intersubjectivity of consciousness, it's like, the level of miracle that it is for you to walk for any of us but but even for you particularly because of the challenges that you have that I can perceive and it's just changed my entire perspective to this awareness and gratitude and a celebration of what's possible.
Yeah. Yeah.
And then throw in like, running or surfing scheme. This that hole. How are we doing that?
How is that boss?
Yeah. I mean, just like running up the stairs. They call them the 360 Because there's almost 360 Stairs coming up. From the bottom of the trail up to the subdivision where we live. And sometimes I'm running up that going hard my feet, doing that knowing where they need to be placed, be balanced. I don't know how this works, but it is. It's working. Yeah, but I also feel the exhaustion of that like, okay, you know, now I've reached my limit. I can't, I can't do the full 360 And I'm taking the dog for a walk and it's mindlessly just sniffing around and like agile knowing how the back paws need to lift over a log or whatever, just to navigate it. It's not really like consciously thinking about it, but it's just doing it. So it's recognizing that's going on all the time in our bodies where there's so many unconscious things happening to keep this whole system functioning, like that's just how and so like miracles. Yeah, that's that's where the lunar esoteric thing comes in is no like, there's all these cosmic relationships that, you know, if, if they weren't exactly fine tuned in the way they were. Life couldn't exist here. In the form that it is right. So but then it's you know, what is life? So we've been, you know, waking up to like, oh, fungus is communicating. Trees are communicating. All these things that we thought were lifeless. stripy is looking out into the dark void of space and going, what's not really dark, it's just an ocean of light. We're just having happening to see that particular ray of light hitting our eyeballs and then we think everything else is dark. But we just don't perceive like that, that that void of space is full of waves of light that been moving from those stars for billions of years. So let's not avoid Yeah.
It's so true. You mentioned you mentioned Brad. Kitty. Well, he doesn't show up in the gene keys. But the synonyms for pity, range from sadness, sorrow to compassion, empathy, sympathy have melancholy. You know, those are the synonyms. Right? Kindness is in there also. Yes. So it's how you use the word pity or the energetic version that you when you see somebody who's struggling with something, some shadow they're struggling with. Because I look at Jean Keith lens 3634. Okay, yeah. 36 is the shadow of turbulence. The gift of humanity and the city of compassion. So when you see someone who's interpolated who's in a state of trauma if that's why compassion is so powerful. If you can reach him and I've seen this with elderly that are suffering through deep depression if I can get them to have compassion for me. Instead of me just having compassion for them. I speak from my compassion to their compassion. Have them teach me something, have them mentor me in something through a compassionate lens. They thrive they come out of a depression at least temporarily to take on a mentoring hat, right to be of service instead of feeling shame about requiring service,
right.
And then the other one chinky 13, which is also trauma can be shown as discord right something that's not talking about the app. But the shadow of discord in Jinky 13 has the gift of discernment. And the empathy is the city, the city of empathy. So there's an empathy where there's oneness, there's a discernment when there is how things are connected, how they are one, but it's a recognition of sovereignty.
At the same time,
so sovereign unity is discernment. And 2018 Yeah, Jean key 18 is the shadow of judgment
and the gift
of integrity. So judgment would be separate. Integrity would be whole in the city of Jinky 18 is perfection. And I hadn't known that for a long time, you know, but when judgment when I found judgment being sort of one of the sources primary sources of separation sickness sight. I said, Well, how do you treat judgment when you see it? And you have them describe? Is there anything you can describe? That's perfect. Just contemplate that for a minute. Can you describe anything that's perfect.