Absolutely, so we are now in our I believe eighth year of the fab prize, or it may be the ninth. I should know this in my head, but the thinking at the time, and this is before 2020, this is before the murder of George Floyd, that there is so much change that is needed in the industry, so that the books that we can see are reflective of the experiences of all readers, not just tailored to a certain kind. The FAB prize in particular focuses on the racial bias that we see in our industry, and encourages debut writers and illustrators of color to show us their work. And the beauty of it is we, we have our winners every year, but actually being first place, second place, commended, highly commended. It doesn't matter where you place. We have a track record of people then going on to sign on and get book deals, either with us or with other houses. Those books then become award winning. They become best sellers. And it's such an invigorating thing to meet someone at the very beginning of their journey and see them and see them then saw and from, from my perspective, it's a very different part of my job. But it's, it's, it's really such a rewarding experience, something that I really that strikes me every single time I think about it. When I started five years ago, the books and the stories that were ended through the FAB prize were very different. I think a lot of writers at the time, especially both debut and established, felt the need, if they were of color, to write about specific things, to show certain kinds of representation. And now there are those things that are being written with, with grace and care and sensitivity. But there's also a lot of seeing writers just having fun on the page, exploring different worlds, looking into fantasy, looking into sci fi, looking into just the silly and the humorous. And we know that there is a decline in children's reading at the moment, and I really do think bringing the silly, the joy, the humor, having those important conversations, but delivering it in a way that feels palatable, accessible and energizing. It's a really special thing to be able to do, and that that makes me excited. There is often conversations about the changes that are needed in the industry, and I don't think we can ever disregard those. But the one thing that excites me the most is seeing the number ofunderrepresented communities writing these really beautiful stories in a way that feels authentic to them, that they are writing something because they want to, and not because a trend is saying it, and not because this is what the market is saying. And I often say to these writers and to new writers, write what your heart wants to write. It's so easy to look at the market and be like, Oh, let me, let me, let me. It's very easy to track the market. It's very easy to think, actually, this is what I should be doing. But again, timeless writing is always timeless. If. Write what is in your heart to write. And I often also then follow up by saying, you know, the market will just have to catch up with you. And we're seeing that. We're seeing that happen now,