Yeah, so funny, you're telling me about your upbringing. Richard, I feel very similar. Like I never really questioned when I was young, representation. I also grew up in a very predominantly white middle class suburb. There was probably light ribbing on the fact that I was Asian, but I never felt super othered for it either. I did know that being half was different. And I do give this to my parents, they were so good about teaching us that being half is great. And I think I'm one of the one of those people that I'm like, Yeah, I'm half and I'm super proud, whatever. You know, I'm, like, really thankful for that. But I never really questioned representation. And partially because I knew that just wasn't a lot of half kids when I was growing up. And it's kind of strange now being an adult and seeing like, all these mixed race families and being like, whoa, all those kids are half, and there's so many of you now, I was rare before. But um, yeah, I remember actually, when I was doing kidlit research, I was looking at books and think-- I could be misremembering this-- but I think Isabelle Arsenault illustrated a book about a spoon and a fork, making a spork. And that was the first time I was like, Whoa, half representation, this is wild! I was an adult too, and it's kind of wild to be like, oh, there aren't really a lot of books, even now, about having kids with mixed race. I do feel very honored to be able to contribute a book that feels very much like, I could really think of my brother and me growing up and like, what makes you half and like having two different looking parents, but you're a whole family. And it's, it's very special. I'm glad now that there's some representation happening. Even if I missed out on it, it's okay, I can be a part of it, which is pretty cool.