Sure. I mean, there's, there's a couple of issues of one is the plot of the novel itself, and the other is reader response to it. So to go back a little bit to the plot of the novel, in this book is set in the late 1890s. And the main character is for the standards of his day, fairly open minded, He doesn't hate people who are non non British, non Anglican, so much as he regards them as "other" which is perfectly reasonable for his time. And he doesn't want to marry this woman who he doesn't know, in part because she's Jewish, certainly. And because of that, you know, why should he want to marry this woman he doesn't know has no interest in and whose marriage will bring social stigma for him. And he's also deeply perplexed why his brother would want to intermarry with with Jewish family, which will bring social stigma onto the family as a whole. So these are the things he's grappling with in the world. The novel is told primarily through his perspective, so we see inside his head, and we see how he thinks about things. And he, he certainly thinks about and recycles and rehearses various anti semitic stereotypes of his day without even necessarily recognizing that he's being anti semitic. And part of the his experience as he goes through the novel is to become more open minded not only toward Jews, but in terms of various other biases he has regarding regarding class regarding professions, regarding magic itself, regarding banking. So he's very close minded at the beginning of the novel, even though he doesn't recognize that about himself. And then as the course of the story, this is human human nature that as he gains more experience as his perspective changes, what shocked me about the response to this novel is people, a number of readers, a staggering number of readers, from my perspective, were outraged that I was articulating the cultural anti semitism of the Victorian Britain, as though somehow by setting this novel in this period, and including Jews, and therefore, including what people had to say about Jews, I was, in fact, myself being anti semitic. This shocked me for a number of reasons, the chief of which was, I've been writing a historical fiction about Jews for my entire career, which is now more than 20 years. And this was never an issue before. You simply cannot write about Jews in 19th century England, or 18th century England, or 17th century Amsterdam or any of the other historical places I've written about, and not write about anti semitism. And from my perspective, to do so is to do violence to the past is to do violence to the experiences of Jews who lived in those times and places and to race, the the lives that they lived and the hardships that they had to endure. So I was very, I don't want to say I was upset by these criticisms, I was I was angered by them, that there was a kind of silencing, you must, it is offensive for you to write about the history of your people. And I believe that, you know, writing about historical injustice for other ethnic groups would not have been met with the same kind of criticism. There's something very specific to the way people respond to Jewish history that was coming out in those reader responses in those reviews. And that was the reason why I wanted to write that piece that you referenced,