I kid you not, it is 454. And I saw the film at 7pm Yesterday evening, and I have yet to fall asleep. Because I am still reverberating from the film, I was not lucky enough to go to the concert. And honestly, I probably would not have been able to go anyway. Not only do I have social anxiety, but I also am extremely sensitive to sounds not just noise and volume, but also intensity of, you know, volume that is volume, but also bass, treble, you know, sound waves, so how close I'm standing to a speaker, even embarrassingly. So being in a room with a wooden floor and how close I am to a grand piano can cause me to change which has happened before to embarrassing effect. So I'm a person who probably will never be able to experience a Beyonce concert in person, no matter how how much I wish that I could. So the fact that there was a film that I could experience, even a mere fraction of what, you know, the Renaissance tour actually consisted of was pretty incredible in and of itself. And then to have that film, be cut and actually, you know, put together in the eyes of the artists themselves is yet another gift. And so, it was such an amazing opportunity to just art on every level, you know, I can get real, really nerdy with it, you know, the set design by as Devlin can't wait to see her exhibition at Cooper Hewitt. I'm so stoked about you know, getting her book, full on expect to be diving into that 1000 1000 data gem, and all that good stuff. I loved the fact that Beyonce even took the time to even highlight, you know, all of the background that goes into it. You know, those are glimpses that a lot of people don't even really contemplate when they think about the logistics that get involved into the entire scope. You know, the fact that there are three stages the fact that you know, when you do the concert in the stadium that they have to build the structure there.
