Well, I was a huge fan of the original series. I still am I think it came out when I was like 19 and I didn't have cable. So I waited for the VHS tapes to come out. This is a 1999 I would like go to Best Buy, buy a season and then my friend and I would just like sit and watch them. So I always loved the show. I've seen every episode multiple times. I got the job because Michael Patrick King who is the showrunner, creator, writer, executive producer, read my last book, 'Wow, No Thank You' and reached out to my agent and was like I have to have her work on this show. So my agent reaches out and is like 'Hey, Michael Patrick king wants to work with you'. And I was like, 'shut up', you know what I mean? I was like get like this is bullshit get out of here. And he was like, 'No for real'. And he forwarded me the email and was like, it's real. So we set up a Zoom and I talked to Michael, we hit it off, I mean, really, within seconds, like I was wearing this hideous shirt. And Michael was like, what is that shirt? And I was like, I know, I know. It's terrible. I I'm not meant to work on a show about fashion, but I got hired anyway. And the experience. I mean, I was like, there's no way they're gonna let me like, really get my claws into this show. Right? I thought I would punch up a few jokes, you know, like, bring some life and color to the writers room. But we started and they were like, oh, no, this is fully, this is fully yours to all your ideas. Let's get them out there. So the writers room is so funny. Like, It's great working on comedies, because you just do bits all day long to try to make the other people in the room laugh and in between the bits, It's like, should Charlotte do this? And it's, it was like a really, really great experience. Both times I worked on season one, and season two that comes out in a couple of days. It was like an incredible experience. If it's the only job I have going forward fine, because it's been like, amazing.