years old myself No, but I really am experienced that. And because especially in this community, because of being a part of the schools that I'm that my company is a part of. I am getting to see not only those generational opportunities for families to be a part of the arts, but also to be working in the arts, not just men, nothing wrong with just experiencing it. But I have people who my company is based on subcontractors that are former students of mine who have gone off, done training, been in shows and have come home, and now are giving their gift back to current students. And that's the most amazing part for me. A few years back, I had the opportunity to stand on stage with a young man who was directing his first musical. And I brought up the person who taught him and that person I had taught, so he was faced nice generation, okay, but even next step, the person who taught me was also. So in the in the arts, you know, especially when we have those family arts organ, like where we've created our family. We own that stage, we had literally the guy who taught me, the guy I taught, and the guy he taught. And the guy, the guy who was directing that show that day, was working also with the guy who for other projects, but the guy who taught me because it's a full circle dance if this family, right, yeah, the artist made that circle. And we often say when we did these little speeches, apparently, I can't wait till the day that one of your kids is up here like this with this guy, or this lady and can say, hey, that person taught me then still works with cow, you know, still working on some crazy project. And I think, you know, we become edified by the work that they do. I'm made Young, I'm made current by the work that I'm still able to do with these, you know, teenagers and 20 Somethings. And my programs have gotten older with the people as they've gotten older. So we have some stuff that's more adult than we do now. Because they grow up, they get past the point where they're the cute little kids and we love them. That's amazing that we have those opportunities to work with them. But then they get older, and we don't want them to age out of the arts, the whole idea is for them to have the art to be a part of their life forever. We need them to be patriarchs of the arts, because even the ones who don't go forward into into it being their career, we want them to still be giving to it still experiencing it, still living it well into their twilight years. It's the one thing like, it's the one thing that like when you're playing music, or acting on stage, dance can be kind of rough after a while. And dance can be rough. But there are still some we still do it being shows and musicals and putting together projects, they can keep doing that and keep supporting that, as a philanthropist says, as sponsors for those things for the rest of their lives. There's there was a study that was done that said, for every $1 million put into the hearts of the community $23 million comes back to that community. It's a threshold, you can't just put $1 and get $23 back. But reaching that threshold in the wholeness ways, whether it's monetarily or whether it's culturally, it requires a community that hasn't space forward to the arts. Not it's back turned?