Hmm. Certainly, certainly dialed into a big conversation that's happening here in the in in, shall we say in? Well, here's the here's what's interesting, I'm gonna bring us something else here. Like this is a dialogue that's happening in generally developed nations. Right? And it seems like these conversations start it almost, here's the Unix philosophy, this is Enix personal opinion, it seems like when human beings get to a certain level of comfort, we start to look for areas in which we can experience some opposition. Okay, I just know from my personal experience, so I lived in Honduras, Central America for two years. And I never saw literally, I can probably count on that my mom, my hands and my toes, how many how many Caucasians I saw when I was living down there. She's going imagine Honduras is very homogenous place. Great country, great place to live, also one of the poorest countries in the Western Hemisphere. At the time, it was the second poorest nation, the western hemisphere. And let me tell you, I guarantee no one in Honduras is worried about diversity, equity and inclusion. No one, right, they're not worried about racism. They're not worried about any of that. However, what I did find is that there's a lot of racism down there. Unfortunately, it's not a good thing. But there's a lot of racism, you know, and, and so, it part of me wants to think like, when we look at this conversation, pushing a lot of these, for instance, you brought up diversity, equity and diversity, inclusion and equity. Seems to be seems to be, you know, a lot of times comes from the academic circles, right? I don't see, you know, I don't see the working class people up in arms about this other than the people who get riled up about it. Feeling like feeling like they're victimized. So in any case, just a general observation, don't know where I'm going with that. But it does tie into a bigger conversation. That's something that is on my mind constantly, which is like, what do we do with the gifts with the abundance with the wealth that we have as, as a nation, particularly United States of America right now? You know, we kind of have we, for the past 150 years, we've enjoyed a leadership role in the world, in the fact that we've had a lot of the world's resources. And so what do we do with them? How do we? How do we act with this big responsibility that we've been given? And then as it rolls over to the architectural industry, talking about this idea of the cult of design? Where are we putting our focus, as, as architects, and as designers, and as thought leaders who are in developed nations that have a large majority of wealth, where we put in the conversation? And are we pushing humanity forward? Are we scumbling? Are we focused on things that are inconsequential? And what's the actual stage of the arc? Like, what is the actual state of the industry of architecture? You know, I got off a call yesterday with two architects as a matter of fact that I spoke to, and one of them he had been in business for three and a half years. And, and he, you know, IID, when he came from a firm, where he was doing some pretty impressive commissions, when he went on his own. He started at the bottom was doing like a lot of residential additions and things like that, and went to a decent sized project. But I asked him, you know, we were just having a conversation about the challenges he's experienced in his firm. It was really sad, because he got to a point where he was, he said, you know, he's honestly I'm, I'm honestly thinking about throwing in the towel. I don't know if this is worth doing this anymore. You know, and I said, Well, why is that? He says, Well, the cash flow is very inconsistent. I have to work it feels like I'm working all the time. And even when I'm not working, it feels like I'm thinking about the business all the time, because there's so many loose pieces and things. I don't have enough money to hire anyone. I'm scared to take that next step because I don't have confidence in the work coming in in the future. is like not only that, but my own personal income has been very spotty, haven't so it's just depressing to look at it, you know? And I said I said, Well, what what has your, what is your income, then he's like, Well, I barely barely broke $50,000. And mind you this this, this, this architect is in a is in an area that is a resort area not too far from where you're at Lance, where there's a lot of money, there's a lot of vacation homes like he's literally sitting in the lap of abundance of like opportunity. And as I talk with him and just try to have an open conversation and an understanding conversation, because I feel for him, like I really do. You know, I've been there with different businesses that I've had, where I feel like it's not going to work out and feel like, you know, I should throw in the towel. But what I could tell is that he had some very distinct mindsets about money and the role of money and the role of business that were completely sabotaging and getting in the way. And so the question I was asking in my head, I didn't ask him directly, but I think I may in the future is like, why don't you value what you do? Why don't you think you deserve to be paid. Because at the end of the day, it goes back to this victim conversation, we can say that it's the world that's causing me not to be able to earn enough money in the world that's causing me to have to work. It's a state of architecture that have to work so much architects aren't appreciated. You know, we're just undervalue. Now all that may be true. However, what role do we have in the matter? And does it matter whether we say that we're the victim of the external circumstances, or whether we start to take accountability? And we start to say, Okay, the reason why my income is not $250,000 $500,000 is because I have not learned the skill sets, the mindsets and the abilities to bring in $500,000. Yeah, right. And so but just the story that I hear, and another woman who I talked to her, so it was the same thing, it was the same thing, I was just like, she's just the both of them, they're these broke art lovers, they're completely broke. You know, they look frazzled, they look tired. And they're, you know, they're struggling having joy for the profession, just because