So you know, when thinking about like, organizations who are, you know, thinking about thinking about doing this work, I think it's really important that they have someone who it right, like, it's, it's great to have someone who understands social impact, right? Like, that's very crucial. Whether it's like an entertainment studio or production company, or, you know, nonprofit, it's very important, right? And then there's this deeper level that I would love to see more of is having people who understand systems and structures, right, and that's different than just social impacts, right? Which is certainly part of my work and very important, right? Where we may look at a script and say, Oh, this isn't going to sit, right, this doesn't feel right, that's very important, then there's this layer that's a little bit deeper, or a lot deeper, where it's saying, okay, like, racism might be someone like graffitied something on the wall or says something racist to someone in passing, right? Those Those things happen, and they're valid. And it's, it's, they are, these things are, are important to tell stories of because they, they highlight tactics that are upholding the systems and structures. But when people just see tactics, it's easy for them to say, Well, yeah, I mean, they can watch that graffiti off for, you know, like, you know, words will never hurt you, you know, like sticks and stones right? And so what what we need more people in storytelling to do is highlight the the systems and structures that allow for those things to exist in the first place. And so, you know, those things wouldn't be normalized if there wasn't an underlying system of inherent racism in our political systems and at the forefront of our country's founding and policies, right. And until we start highlighting those things, it's really hard to uproot them, because people don't, people really don't have that foundational understanding of what that is. So the more that we can highlight it in TV and film, the more people say, like, they get angry, you know, they get they start to understand on a deeper level. And so some of the shows that I've worked on to do that are so for example, during my time at Color of Change, we worked on a couple seasons of the rookie, and there's such an amazing writing team. But one thing we really worked with him hard on there last season was to talk about like the systems and structures and policing and so Like, some of those things could be one thing that they did was actually showing a police officer being held accountable for his actions. And, you know, like actually being held back in the police force, and not like advancing because of something that he did like showing, showing the consequences. And like, what, what the conversations are between police and the communities and what what exploring community policing and the world we want to see, could look like, and and like, really exploring those conversations in a way that dig a little bit deeper. So so, you know, social impact, yes. But also, people who can, you know, again, look at like, how these narratives are going to impact us in five years, 10 years, 15 years, and even how they're going to impact the way that people go out and vote. The way that people think about policy, right, like one of the things we noted is that, like, for example, black women are missing highly as victims of violent crime. Well, how does that affect viewers when they go out and vote for policies that support black women? Right, like if black women are there's, there's a significant amount of missing black women and girls in this country, right, like missing. And if we think that because of the content we consume, black women aren't really victims of crime, we don't really see that as a priority when we think about policy when we think for searching for people that are missing, and we think for advocating for domestic violence for women and black women of color. And so like really thinking about the implications of what we're putting in our content, or what we're not putting into our content. I think the last thing I'll say is just Yeah, anything that pushes us past that the status quo, you know, like what we've already been doing, how can we think a little bit deeper?