Yeah, I have a lot of help ... I every time I, you know, that was probably the best part of this entire project was meeting with people every time I ran into an issue or something like that, where I need to, you know, even just something writing the script correctly, I would meet with a historian or somebody who a friend of mine that speak Japanese, or even just how the characters were designed, and, you know, making sure that that that looks okay, for the culture that outfits people are wearing. You know, so I, yeah, this every time I'd meet with somebody, I might get, like, a little detail to throw into a panel somewhere, because I just wanted to just kind of just remember that, but sometimes I meet with somebody and have it like, that's gonna be a whole new chapter, you know. So, I mean, the chapter you mentioned about Sam kind of explaining the art piece in his house about his his grandfather's history came from me going to looking for an origin story for this character and going to a friend of my family, friends, Japanese art gallery, and going through some woodblock prints and finding out those finding out what what to use and and those woodblock prints actually hang in my kitchen, because I'm so attached to them. So those are the kinds of things like, you know, meeting with people and getting feedback, even the smallest detail, like you said, just like a little bit of writing just goes a long way.