The way I got into the sort of space of book creation, my father, Zichrono Livracha, was the editor of the Shabbat and Festivals Sim Shalom, which he finished 1998. And then the weekday one was finished in 2001. And that's when he started talking about, well, the next installment should be bencher. And because the only Conservative bencher at the time was the USY B'kol Echad, and I had just come back from discovering this whole world of song and spirituality in Israel, that I also hadn't grown up with, and I knew he hadn't. And then I felt that I have actually learned to sing and to have and learn the world of Zemirot that, that you don't know what like, let me sort of like give it you know, take a shot at at laying out and thinking and planning and planning out that book. So it really started from from the sense that his his initial sense that that ought to happen. And my kind of saying, let me take that up. But the other piece was as at the same time, we were starting to get to the age where our friends were getting married and, and there were and everyone had that like, well, what bencher are going to use for our wedding? And there were some, you know, there were significant kind of shortcomings to any, to all of the available options. And so that sort of convinced me that beyond the like, the Conservative movement as an unofficial thing, that there was my own world of people who were looking for a thing that they weren't finding. And the most, the biggest sort of misconception that I found was, people assumed they weren't finding it, because everyone was, was idiosyncratic and one of them being different. And it turned out not to be true in sort of, for the most part I did. But like, for the most part, the people that I knew were most looking for very similar things. And they just had never been put in the book. So I kind of set out to make that - a bencher that had all of the Zemirot that might be my sort of liberal yeshiva friends wanted to sing and weren't in any of the egalitarian, egalitarian benchers that had the transliterations that, you know, if you if you look at benchers, so many, so many either don't have transliteration, or they're hard to read, and hard to use, and translations that would really invite people to participate. Just a book that was felt complete, felt like it was accessible for different for different kinds of people. And that would be egalitarian without being sort of defined by that. Right, I mean, I think one of the things that was the big, I think it became more important to me as I was working on it, and talking to people who were in this kind of space between the Conservative and Orthodox worlds, the, you know, the kind of space that Hadar has grown in and have a in some of these, in some of these other institutions was a book that was sort of careful to be egalitarian, but that there are that your Orthodox friends would pick up and be like, and be like, This feels like a bencher. And, and then I got to do and I had been where I was working on a doctorate at the time. And we're you have to, like, really close, so, so deeply into such narrow things and a bencher, I could take a text and find one nugget of wisdom, that and like give you a paragraph of commentary that just something to think about, and like touch on something and move on. I really, I really, I really liked that kind of writing. I'm the kind of person who, when I'm always the person who writes the greeting cards in our family, the Mazel Tov cards for B'nai Mitzvah and weddings. And you know, and because I take 45 minutes to write three sentences, but they're three good sentences.