Yeah, basically. Part of this is, Because magic doesn't actually exist. So when we identify some guys, yeah. When we identify something as magic, it has to, like, do something for us to be able to be like, Oh, that's the magic thing. And I think there's a way you could break that down as magic is unknown thing happening by unexpected means, which is, you know, stage magic, you see a thing you're like, oh, wow, how was something like, you know, a rabbit was able to be pulled out of a hat. By some magic means this thing that I know, happen happened. But I feel like I'm missing some the causal point, a man walked in one door and walked out of another door on the other side of the stage, that's incredible, sort of reference to the prestige. That is a reference to the prestige. And you know, this known thing happening by unexpected means, oh, happened by magic. The other way of thinking about it, that I'd like to pull in our brief foray into studying Latin American magical realism, and talk about magic, not as a thing, not as a known thing happening by unexpected means, but rather an entirely unknown thing coming into reality, which we sometimes called the fantasia, which is often you know, when we think about is an intrusion into reality of something magical, which then, you know, has some effects on the world by magical we do mean, like, deeply unreal, in a way that I feel like frosty kind of is deeply unreal, you know?