Well, she was born a year out after women got the right to vote, which still boggles my mind. She was born a year and a half later. You know, and what you said is really important and profound, because what you just said actually plays a big role in why I work in this business as a screenwriter, because of "Birth of a Nation." The horrifically racist film that D.W. Griffith released was a phenomenon and was credited with single-handedly increasing the presence and the membership of the Klu Klux Klan. Nationally, it's considered one of the most successful films in history in terms of cultural and political zeitgeist because that film, and its depiction, a terrific depiction of every negative stereotype you can think of in terms of Blackness in particularly Black men. And and you know, the fear of the dangers towards white women. It led to a massive increase in membership of the Ku Klux Klan. And so when I was in college, Steve, I actually did my final thesis presentation on the political role of theatre and film with an emphasis on how it impacted race in America. The conversation in my presentation really started with that film. That film is proof of the cultural impact that screenwriting and filmmaking and the arts can have on these conversations. So that's the first part to answer your question. You know, the second part is, I can't even properly articulate the impact she had on me. Even though she was 100, and lived a very long life, oh my God, I'm getting emotional just talking about it. You're like Barbara Walters! She was so smart, and so talented, and she never had the opportunities I did, and I have. And so when I would hear her stories about, you know what it was like, not just picking cotton, but chopping it, as my mother always reminds me, she said, "No, picking was the easy part. It was the chopping, Keli, that was the really labor intensive, hard part." That made my mother want to better herself. So she didn't have to keep doing that into the next generation as well. But those lessons are the ones that stay with me when I have the privilege to sit and partake in the opportunities I do today. I actually said to one of the stars of one of the shows I worked on in terms of it's some racial stereotypes I was concerned about. And I said, when I sit in these rooms, and on these sets, I'm there for every woman who never got there. I'm there for women like my grandmother. And that is how I feel about what we do, so I consider what we do as screenwriters to be important.