Yeah, so this'll foot is what I named Baba Yaga's house on chicken legs. And for one, the name came from a really interesting place, which is, in the folklore, traditionally, it doesn't have like a title, like a name. It is referred to but usually just using words describing what it is, as opposed to being given a name. And I really wanted it to have a name as a character would have. And so I kind of started by just thinking, What words do I like, like, I'm gonna have to use this name a lot. So I may as well like the word I have to say over and over again. And one of the first words that came to mind I have this, like, Word document on my laptop of just like words, I think are pretty. And I open this document, and I'm looking through I'm like, Ooh, I don't know, plume, like as your it's a very cheesy document, but thistle is in this list. And I was like, Ooh, this is great. But wait a second, like, do they even have thistles in Russia, it wouldn't make any sense for me to name this house after a plant that didn't even exist as a native species in the place where the house was born, so to speak. So I looked it up. And it turns out, not only are there very much thistles in Russia, but the specific breed of the Russian thistle and if you've read Thistlefoot, you know this history because it's the prologue of the book. But the Russian thistle, actually accidentally had seeds mixed in with the supply of flax seeds that were being carried by a group of Russian immigrants to the United States. When these immigrants arrived in the United States, and they spread this flax seed around the Russian thistle seed accidentally propagated as well. It became a rapidly growing invasive species spread across the American West, and is known to this day by another name, which is Tumbleweed. So when I discovered that I lost my mind because I was like, this is an exact metaphor for the entire book that I plan to write. This foot is a story about, you know, a story about stories, I suppose it's a story about memory, and specifically, what of ourselves is our own, and what of ourselves our memories and histories and folktales that we may never even have been told. And so this, this history of the Russian thistle, which now we ubiquitously think of as such, an American symbol actually isn't American at all. And it is this diaspora plant coming from Russia. So that I got very excited about and was the seed no pun intended of fissile foods name. As for Thistlefoot character characterizing a living house. In my natural writing voice is a folktale voice. Like I said, I'm also a folklore ethnologist in addition to being an author, so I read a lot of folklore and when I naturally storyteller, it's kind of in a folklore tellers voice. So in certain ways, Thistlefoot is my own voice. It's a way to espouse my own philosophies on storytelling on memory and on lore, using a kind of separate mouthpiece, but I wanted this whole foot to be more Jewish, I guess, culturally than I am. I was raised pretty secular, even though my mother was raised in a very Jewish household. And I wanted Thistlefoot specifically who came of age came of, I don't know if houses come of age. Ah, but you know, whatever, in a shtetl to be very sort of rooted in that culture. So I read a lot of other Jewish writers who are writing in that same tradition. So Isaac Bashevis, Singer, Shalom Aleichem, these short story writers who are creating these kinds of rye shtetl stories, and Thistlefoot's voice is a blend of those writers, my own voice, folktale tellers, that kind of classic gather around the campfire. And I'll tell you a story of voice. And it's also just like, what, what if memory could speak? That sort of literal if these walls could speak situation,