So links in the description if I forget links do message me and say can you put in the links to the RHS, Royal Historical Society. The other other stories that I go to and this is this is what's kicked off this episode really was Beeston Tales. Now Beeston Tales takes place every month, third Wednesday of the month. And this next one, I'm not going to be here. I'm going to be in Mull on the Isle of Mull. But I am able to attend but me being able to attend and me being able to be in the room and set up the kit isn't gonna work this time. If I've got my kit with me I often we had to cancel June's or at least the livestream was cancelled because I had my kit in London. This occasion my kit is going to be on mainland, I'm just going to be the person not on the mainland. So the challenge is going to be to enable the storyteller, Beeston Tales I can't remember Mike's surname there's Mike and Tim Ralph's. It'll come to me. I'm sure you listen to this, Mike. Very sorry. But one thing that Tim and Mike do every month is bring in a guest storyteller, and then invite storytellers from the local area to take up slots that around that. It's a two hour session. Now it's a long story session. And first of all, that's a bit of a long time, big interval. But it really works and you spend your time in these stories and the storyteller tells a story for an entire hour on stage. It's essentially a monologue, but it made me realise that hearing storytellers tell folk stories and legends that actually you know, but hearing them being told in a performed fashion is really special, because you kind of notice... it's like watching Shakespeare, you know the story, but it's a different performance interpretation. And the different stories that Tim and Mike bring toBeeston Tales has really has really exposed me to storytelling in a way that I wouldn't normally see. And that's because I'm the Zoom controller. And that's the great thing about my job is that I do get to sit in the back of some amazing keynote speeches, some amazing storytellers, some amazing shows, and taking the Spatial space into the Edinburgh Fringe, I really want to go up to the fringe, but it's a really daunting thing even for me. I've been twice before. They were both on behalf of Equity, and I had a stipend to see as many shows as I could in I think I was there for three days. And also go and see the shows go and visit the cast afterwards, have a chat to them, what's their experience, and even being there kind of on the edge of the industry it was quite daunting going up there to just be audience must be terrifying. But I want to go up there and be audience, and be terrified. I also want to go out and take shows but the thing is if you go into Edinburgh and you're taking a show you are there with your show. It's regular slots. Especially stage managing. If you're doing a venue, you're probably in the venue all day. So I've got to get my head around how much of myself I want to give the fringe. And I think that goes for attending in the audience as well. How much of yourself do you want to give the Edinburgh Fringe because you do have to take time to sit and pause and reflect on what you're seeing.