Yeah. So I think, I think with comedy, and again, they, they explored this so brilliantly well in that in that programme, that Stand Up To Cancer programme. In comedy, I think you have to be relatable. You have, like, and I think people love that. It's my favourite thing when you go to a comedy night, either as an audience member, I love watching comedians and going oh my god, that's so true. And I love it as a comedian. When you say stuff and you can see people sat there going 'oh my god, that's you Hattie'' or 'that's you Rich, you do that'. It's perfect, cos you know you've hit something there. But similarly, it has to be unique, because otherwise it's like, what's the deal with aeroplane food and it just really, really generic. So I think the idea for talking about epilepsy because as I say, I didn't talk about it much, I've not always been open about it and as a teen I was, my mates knew I was epileptic but they kind of knew like I did, like she has epilepsy but not really. So with Vague, I'd only been doing stand-up for a year when I did Vague because I won a comedy competition where the prize was to do a show at Edinburgh. And so, I very quickly had to decide what that show was going to be about. And when you've got no profile, no-one knows who you are, you're just... I think I was 23 at the time. So no profile, no TV credits, no, you know, nothing real. I've got... not even experience on my side, I've been going for less than a year. So you have to make your show, your first show kind of has to be an introduction to who you are, and letting letting the audience in and saying 'this is me'. So, again, if you've seen Vague I talk about being well, like where I'm from, a bit about, like me as a person. And then I wanted to do a show that was just about that, really. But everybody does a show. That's an introduction show for their first thing. So what is it about you that makes it different? What is it that makes you, that makes your show? What is it that your story's a little bit different than not everybody might have. And for me, it was a coming of age show. But when I was coming of age, I was going through this, I was sort of still working it out myself, I was still trying to wrestle with it still try, you know, half trying to pretend it wasn't happening, but half having to pretend having to realise that it was, managing it. And I think as well, it was also something that I wasn't exactly at the finish line of and I won't ever be, but it's still something that I'm managing. And the fact that it changed three years, you know, in its format means it could change again. So I'm never, I never fully, not to say I'm never fully relaxed, but I'm at least now, not at peace. That sounds very dramatic! I'm very fine with that being the case. So I wanted to speak about very relatable humour, which is growing up, which is going out with your mates, which is all of those experiences we've all had about school teachers about that mate in the friendship group who does XYZ and that one that does ABC. All of that, you know, people from my village, it was all relatable. But it had this perspective on it that was unique to me. And I think it was kind of, it was helpful for me, I'm from a family who were very open, I can chat to my mum and dad, I can say I chat to mum and dad, but I didn't. And I still don't know why I didn't because they're so receptive and so open. And so I could say anything, and I think they'd be ok about it, they just want to know. But I'm from a family who tend to be open with the more difficult things with humour, that's how we deal with it. And I don't say that to be like, that's how we put it off. I think that is genuinely how we deal with it. And it's, and it's been great, it's always been the best way for me, we laugh about it. Because I think if you don't laugh about it, you can get bogged down in it. That's not to say that there's not days where it's ok to get really miffed about it and peed off about and you want to scream about it. But ultimately, you have to find the light in it rather than the dark. And so that's, that is what what what helps me with this is,...I can't do a TED talk. I just can't take it seriously. And there's no way in this world that I was ever going to do a TED talk about, or heaven forbid, what would have been worse - a play? God! I can't I cannot imagine what my play would have been like if I'd have done that. So it was always going to be comedy for me because that's how I communicate really.