In some ways it Yeah, happens quite naturally, as someone joins the studio, and they've sort of hit it off with someone. And yeah, there definitely have been collaborations that have happened. And, yeah, I feel like there's there's always much more potential for like collaboration, I guess it's one of those ongoing things about the time that people have available or today, there's definitely, I guess, because I have a bit of an overview because I'm, I know, the artists, I'm working with the different artists, and some of the artists haven't even met some of the other artists that haven't been here, there for that long. So I kind of I guess I can see some of the crossovers and similarities and I mean, I don't want to be sort of, sort of, I feel like it's important that things that artists lead but I, I guess what part of my role, I organised sort of more social activities where artists can connect with each other, but more and it's the opportunity for those things to evolve. Like with Open Studios, which is once a year, which is the main event at the studios really sort of Yeah, wanting so yeah, talking to the artists about what what will be beneficial for their practice to do. Obviously, as an organisation we have things that are important from our side in terms of reevaluate Asian stuff and public kind of, yeah, kind of it needs to be a kind of meet kind of some of the targets within the organisations I speak about wanting to make sure that it's a useful thing for the artists to try something new in their practice if they want to, or Yeah, collaborate with someone else. And, and that definitely has happened within studios, for example, last year, there was a two artists there it was, it was both of their first open studio, because we had a bit of a break over the pandemic. And they did a workshop together. So one of them does primarily drawing and one of them was experimenting making inks out of different materials. So they did like a, an ink drawing workshop. So that's kind of a nice example of two people coming together to kind of support each other and just work together to do that. And, yeah, yeah, I feel like there's always more potential for people for more things to happen. And I guess part of my role is to try and see how that how I can support that to happen. And we had like a new review, like surveys, which we do once a year at the artists, which is a really good opportunity to to chat to people about what they want more of whether there's things that we can do better, as well as kind of collecting some kind of data and other fun stuff. And there's a lot of feedback about just wanting to go to exhibitions together, do more kind of meetups and things. I think particularly after the pandemic, there's Yeah, kind of inclination to connect more. So yeah, so like, for example, last month, we went to an open studios in Brighton together as a group. So and a lot of people were really keen to come out, I think there's a group of five of us in the end, so not a huge group. But yeah, at least another handful of people would have come if they weren't working, etc. So yeah, so we're gonna start to do that a little bit more, which is helpful for us as a group to plan for our Open Studios, as well as see how people are doing things differently in a different city in different contexts. And, and yeah, and then we just, I guess, conversations happened more organically, because sometimes in the studio, like people are only there, like, people's schedules are so different. Some people are there, like two days a week. Other people are there just after work for an hour, from six or seven or something, some people only there on weekends. So there's a lot there's sometimes people don't even see another artists and they're going in the studios if their time schedules are so, so off, so. And so yeah, that influences a lot of like, what the contact is to artists, for sure.