she continues, I cannot do calligraphy but I have practiced the piano over and over and over. I have done really deep practice and have always considered my spiritual practice from the earliest days of my life. So instead of doing a calligraphy for you, I may say, Would you like to hear about Prelude And Fugue that is my Zen expression. The point of using some one special way again and again, its way in the sense of particular art or discipline, is that our expression becomes clearer and clearer through the discipline. Just as with Zen, sitting after sitting, everything becomes clearer. When we are in the condition of motion, even to some small degree, the nature and spirit, human and superhuman become one, then the great works of art are created. Looking at a calligraphy by Solon Roshi, we feel how Mu wrote Mu. There has been no egocentric attempt at effect, or an or interference but simply a spontaneous and wonderfully vivid expression that comes straight out of us. There is no fixing it up no removing the smudges, no brushing it over. It's just as it is. This is one of the beauties of really great art is the imperfections. Something very perfect is in a sense did in a way that something with flaws, is not, it's alive.