Well, thank you for saying that, john. But I'll tell you, it's context that most Canadians need to so I grew up in Windsor, Ontario, and across from Detroit, Michigan, and I grew up in the 70s, in a household that was infused with all things, black power, and with the sentiment of black is beautiful. And that activism, that spirit of activism infused, how I was raised how my brother was raised, also having, you know, growing up in a small city, but across from a metropolis city that is predominantly black, such a gift, and has influenced, you know, my life and the culture of most black people in Windsor. Even today, and I would say, you know, the reason why I ended up doing this work is such a windy road. And for many years, I couldn't figure out where I was going. I just knew I had a certain passion that I couldn't articulate because, well, first, nobody was called a fundraiser. When I was finishing college, right, nobody was called coach, other than on an athletic team, these things are not a part of the lexicon, you know. And so I found myself growing up and being talented in a number of ways. And being very creative. I danced classical ballet for 10 years and, and quit just before I could teach over a boy, that's a different story. Why my parents allowed that that's also a different story. Um, and found myself, you know, leaving high school and starting college, and not knowing what direction to go in business seemed like the closest thing to it. That wasn't a fit, but it was something. And what happened was a few years later, I had an opportunity through my father, who was very involved in the community to join a team at the what is now called the atmospheric freedom museum. And that opportunity was centered around this capital campaign, which I talked about and collecting courage for the Nazareth, me church and the restoration of that edifice. And it was in that it was in the basement of the museum where I began to find myself. And it and it's not that I was particularly lost, but sometimes you don't know that and to come away, right. And so I found myself in the basement of the museum with box after box after box of archival material, which was my responsibility to go through and to begin to make sense of for the federal government, who was one of the largest funders in this $1 million plus restoration campaign. And it took me six months to pour over those documents. And at first I was completely petrified right of the process. But as I went through the process, I started to see myself more clearly I started to recall the things that my parents had said, and were continuing to say to me and my brother as we were growing up, I could I actually saw in print form the lives of people and families that I knew. And they all connected to this really powerful movement of the AMA church, which as you know, is not just a Canadian movement, right? It is. It is an American and Canadian movement and is very much tied to the Underground Railroad. And so as I began to get a picture, I found myself becoming more and more drawn to knowing more and clarifying that picture. And by the time I wrote the stewardship report, which was a massive undertaking, several 100 pages. It was a historical reencounter. And we had to recount history, we had to, like concretize, that in the present, also document the restoration process.