Yeah, but I am Jewish. Like my dad is Israeli Jewish, my grandfather is a Holocaust survivor migrant, my mother is from Musqueam First Nation in Saskatchewan. Whereas Esther is fully Indigenous from a community in Saskatchewan and raised in a Jewish family. So in terms of, you know, the identity, the the complexity of her identity, I did use so much of my own experience being stuck between those two worlds. However, you know, for me, it was always just not fitting into anywhere, mostly because of the way that I looked. I'm clearly not white or Jewish looking and I'm not fully native looking. So I was just always sort of questioned about who I was and like, why do I look like this and that kind of in childhood makes you feel no not a part of things. So without the racism, most of the racism I experienced was really like, as an Asian person, I was like, definitely received a lot of anti-Asian kind of racism growing up. I think because my mom was so far away from her family and we lived in a very Jewish area, at in Toronto in North York. And my dad's family was very consistently there, you know, we had Shabbat dinner every Friday night, we, we were with his family with my grandparents and my aunt, all the time, whereas my mom's family lived in Saskatchewan and British Columbia. So until we moved out west, we didn't really spend a lot of time with her family. So she was very isolated and I know how difficult that was for her, and how lonely that was for her and so much of Esther is was inspired by my mother and me witnessing her alienation growing up, and also my own sense of conflict in our conflict about you know, where I belonged. So all of those things are, are really what, what I was able to bring to Esther's character. And then of course, we had real lived experiences of 60s Scoop survivors, who helped us to build the PTSD and, you know, the story of being taken from your family and, and how that sort of plays out. Yeah, I think, you know, at 50 I can say, I don't feel like I'm half of anything, I'm just fully, fully who I am. And that is, you know, a long history of Anishinaabe people in a long mix of, you know, Cree and Métis and Lenape and, you know, however far it goes back on my mom's side, and then on my dad's side, you know, the Polish and Russian legacy that was completely on my grandfather's side, gone, except for one brother. So I have a bunch of family in Israel. So my family is all over and I feel very much, I feel very much connected to both of my histories that I come from. And it works for me as a storyteller, I think that that was probably why I'm here is to somehow become a bridge between divided communities and divided people. And you know, in that way, I think storytelling is a very powerful connector of, of human beings and human experiences.