So I'm trying to link this up, right. So like, the I, like, I get, I get caught up when when I like, I get too excited by like, the names of stuff. Okay. So like, for some reason, I feel like that could be my typography. So come back to me, that's like that maturation, like with, with the colons that I felt like, that's a nice ring to it, and it could be designed well, with regards to this here. And now this Okay, so like me, like, Okay, so one thing is, first of all, I was thinking like, well, you could have is, with, like landmark syllabi, I'm thinking that it's gonna, like, if you introduce some sort of, like, incorporate some like VR into it, where like, people could like, look through like devices and some of that and then see, like, see designs rather than having to like, you know, permission and like, actually having to, like, physically place all the stuff there. But that can be incorporated later. But like, imagine somebody designed some sort of like pattern. And then you use some sort of like 3d mapping. So like, you get, like a basic sort of like idea of what the scale is, when you can, like use a very basic like, like cubic, like 3d model, like, wherever somebody thinks, they project that onto the 3d space. And then it can be seen through the like, through the lens of like, whatever, like the intractable but also I was thinking is that could go very hand in hand with this sea line that you actually mapped out, like, how, like, if you knew where the sea line was gonna raise as well, and then becomes like, the buildings that underwater through the VR sort of thing. And then you can see it when you're looking through the thing, the design kind of acts as like a water line on the buildings in like certain places. Also, then, if you've also got this idea as well about having the tiles maybe that x is like, the key point for like, there's more to see, like, you know, you see that it draws attention and then you're like, through these like people are like what is that like as they do with a lot of like, if there's a there's an artefact somewhere that doesn't look like it belongs there like a great piece of like intrigue to God like read about it, perhaps and you're applying next to it saying like, if you then download this thing or like you look through this, your optic device or whatever, like just like then you see these projections on the buildings I mean, and then you get to see the full artists work together really asking is like learning to create like a pattern responses. I feel like that's like, I don't know, I feel like that's a lot easier for like, and it still allows like fluid the pattern if you just strip like a pattern like yeah, that's a good one that's like accessible for a lot of different artists, regardless of what they are like you could then bring into like, a lot of like, his stuff is the illustrator you showed me his name he got a lot of his stuff his jokes and stuff is like, like, it's like life drawing isn't like that. But there's consistency is mediums like it's a lot of ink, it's a lot of like watercolour from what I just saw there. And then that could feed into his texture. So like you're summarising each of the creative voices and the texture and just then gives like I say that right? This is rather than saying people like give me a credit expense based on what you do, you funnel it in. So for me it would be something like I'd have to analyse my portfolio of illustrations while giving you something that is based on the sort of like paint exercise and maybe even have, like facial features that could be then like, then the way you get onto the plate, then using your explain to me again how the tiles come from me this thing in the ocean.