We were doing a play. We've been in South Africa. We've done it in Cape Town. And we're doing it in Johannesburg. And that's when these two American were well one of them was in South Africa and was living in South Africa, John Higgins. But John Higgins and James Bertholf came backstage and started talking to us about how excited they are seeing their play and they're very keen in bringing to the United States. And we said, oh, yeah, that's good. That's good. I mean, we didn't take it seriously. You know, we've had a number of offers. You know, I think one was from Edinburgh Festival, but we're not sure yet. So that was the thing. I mean, we sort of tried to, you know, we didn't expect anything from that. But a couple of weeks, maybe a month later, Rob McLaren, who was the director said, no, these guys are really interested in bringing this to United States. They played United States. And now the problem was, too, for us to get passports, you know, to get out of South Africa, which was very, very difficult. If you're a black person, it was almost impossible. You have to have all the right papers in South Africa. Well, you know, your passport, your passport, your passport, your passbook, which is your identification. And then it has to say what kind of work we're doing in order for you to get a passport. And one of the things that was not allowed, then, as a job description, you couldn't say that you're an actor, you know, so we do not recognize a separate person that you concider yourself as an actor. So we're to do some maneuvering with a first University. And then we eventually signed I don't remember what is signed in as as I still have my passport, passbook, I can look it up. But it was suddenly something else went to register something to work with for the university in order to get that fixed the passbook and then I remember even going then, to go to register because you still have to go and register. You know that you're working with the for the, for the university bets University. The passbook office is very incredulous, they didn't think, you know, because most of us were not from Johannesburg, per se. We're from Alexandria, I think the two of us were actually from Soweto, so they were fell under Johanesberg has been reduced to restriction. But we failed under sentence it was totally different. And so when we went to register, the passbook, the white lady, they said, no, no, no, no, no, these two I can take these two, these two they cannot they have to go back to Alexandria. She says, oh, no, but the rest of the need them. They said no, no, no, just go downstairs and pick another two blacks and come up with it was a lot of blacks downstairs looking for jobs. So let's just go downstairs and pick up another two blacks, you know, and then I can fix the papers for them. But these two I can't. So we have to go through all that you know when to talk to the university, and then to make sure that we're called special, you know, whatever job it was, but it was definitely not acting. And eventually that was sorted out and took about maybe six weeks or so. And then we had to get the passport and it took us a while to get the passport. But eventually we did get the passport and we still didn't believe that we're able to you know, get all that feet and we're going to the US but eventually we did. And then we left and then we arrived in Los Angeles Mark and everybody was there waiting for us. Very exciting. And it was a wonderful project, a wonderful experience, you know, giving a tour. Although it was a little tough. I think one nightstands they tend to be a little too much. I think we're doing San Diego to Seattle. It was that it reminded me of South Africa because I used to work under the Gibson ??county electrical ?? production, we used to tour the townships. So after a while it gets to you, you know, but I mean, we're, we're enjoying ourselves. We thought, you know, we're doing the message. And it was very encouraging for us and especially the response that we're getting from the people. And so we'll continue working and it was it was worthwhile. It was worthwhile. And especially when they started banning the play in South Africa. You know, that's when we thought maybe we're we are having an impact, because we didn't expect ban the play in South Africa while we're here. And it has been performed in South Africa before, you know, and we've had some skirmishes with the police here and there in South Africa, but for them to take the drastic step of banning, it was it was incredible. made, it made us aware that we're having an impact. So I'll stop at that. I don't know if you want me to continue.