And so after all, that after I went to the school down to Chicago, and kept on a dive into this idea of conceptual art, when I graduated there, I was back to almost 100%. Me. So when I first walked through the doors at Heartland, I was probably at zero was killed myself and hundreds was me before where I was at nine. And so by the time I was studying art for the four years, and I was graduated from the school there in Chicago, I was at a phi, which means I was pretty, I could do normal things, I could speak in front of people, again, not not very good. But I could still go out and meet people and hang out and do the things that I can typically do. And I look back at my life, and I thought, well, now I can get that job. But the FBI or CIA or something, be an agent field agent. Then I said, well as any other combat that, like me going to discover art music, the way I did, I was like, probably not is a crazy way I discovered it. I don't think anybody else is and I started researching. If there was nonprofits that did what I just did, and there was nothing. And so I looked back and I said, okay, it took me about four years to fully get rid of all my anxiety and depression and start being successful. And I had this song that I wrote that I just I love, but it didn't put on the pedestal like what I want it to be about Luke's life. And I had the opportunity to go to Nashville, right with a number one songwriter, and it changed my life. So I said, You know what, I'm gonna see if I could bring a friend to Nashville who's been injured in war, and just see if he'll be willing to write a song about stuff he can't talk about with me in the room, just to see if this is going to work. And so I reached out to my buddy, Jesse from Metamora, who was a part of Charlie Company in Peoria when they got hit. And I asked him if he'd want to come to Nashville with me and right with the number one songwriter and his eyes lit up, and it hit me. I was like, Oh, this is weird. We're gonna go talk about deep stuff. But he's excited because we're going to Nashville, and I'm one songwriter. And so we told his story, and that changed his life. So awesome. I was in Chicago, with a lady named Linda tarson, who is the co founder of creative arts. And she's a philanthropist. And we met in a crazy way. And it just everything aligned perfectly. And we're just having a follow up lunch. And I told her about my experience with Jesse and how it changed his life and how I just really wanted to turn this into a nonprofit to save veterans lives through our music. And she said, Okay, I've experienced let's do this. She's been on boards, and she's a philanthropist. She knew how to start nonprofits. And so she was the other half that I was kind of missing. Because I was I didn't have competence of running, you know, nonprofit by myself. I had all the programs down and what was going to help the veterans and she had that knowledge. So we put a board together. And we just went and so now, that was we incorporated July of 2013. And so now fast forward, so many things have changed. I mean, that first year, it was just taking veterans to Nashville, like I would get a hotel room. I mean, the veteran would stay in the hotel room together. And we just tell stories, because it was all about having a battle buddy to go through the process with you. And then I have a friend, tell a friend about it another combat veteran, and then they would fly out and then I'd get two hotel rooms. So we're separated because I didn't know the person. But what we'd be doing is we'd be taking them introducing them to number one songwriters and pro songwriters. And we'd let them just pour out their heart and soul about what they're going through what they can't talk about. And we turn it into a song, and then give it back to him so he could share it with his friends and family. And that's where we saw the biggest impact was now his friends and family understood him he was excited to talk about his experience because it was a song he wrote Nashville. So for that first year, it was just songwriting. We only helped about nine veterans. And then we were able to expand to the art program because art was really saved my life. And so we partnered with the school that are in us to Chicago to enroll veterans, so we enroll combat veterans into the best art schools in the country will pay for their flights, their food, their tuition, they can be from anywhere in the country and will fly them to us to do these programs. And they get to do a three week fully accredited art course at the school. They're in Chicago. But the songwriting thing has been our main attraction because so many people just obviously come to Nashville to write with Hit Songwriters. But from that start the first two years is very, like barely scraping by. And then as I moved to Nashville to really like hunker down on the songwriting portion. Now we have partnerships with the grand old Opry with the Country Music Hall of Fame with Zac Brown's camp southern ground with Vanderbilt, and we offer songwriting programs and all those places but the coolest part is when veterans come to Nashville now, we get to right backstage at the Grand Ole Opry, with number one songwriters and artists. So last session that we just had, early March before everything got shut down was Charlie Worsham was one of our writers. And then Eric from love and theft was one of the writers. And we had a ton of other number one writers who were a part of that. We had five veterans come tell their story for the first time. And then we recorded all their music. It's just an amazing experience that they get to go through. But it's crazy how it started with this one idea and how I brought one veteran I knew to Nashville, we stayed at this crappy hotel, and we wrote it a Writers House. And now we're writing backstage at the grand old Opry where nobody else gets access to with these huge artists and writers.