To be honest, I was not expecting that reaction at all. I did some tests. I have a couple of doctor friends that I will run most of my ideas by just to be like, so I want to lick an entire public washroom clean. And yeah, and you know, Jason Brophy, who's from Newfoundland and does HIV works, like pediatric AIDS care, whenever he was like, Ah, so you'll die. Just like this will be your final performance. Yes. Here's a swan song. A mangy swan. Thankfully, I have some, some people like I have done harm reduction work now for over 10 years, you know, in various capacities. And I know how to do a blood draw. I know, I know, the basics of phlebotomy. I've also talked to, you know, like my medical team about like, you know, these are some of the things I'm thinking of doing in the performance, what do you think the risks are? To me, to audience members, whatever. I try to consider what are the like—is there a risk of biohazardous material, you know. Like, I feel like I even make a joke about it in the performance where I do this self-administered blood drawn and put the blood of my eyes, I make a joke about how long each of you lives inside the body, and then make a joke about Ronnie Dee work that got the National Endowment for the Arts defunded in the late 80s. Like this isn't a Ronnie Dee performance, blah, blah, blah, which there was also no risk of HIV transmission as well. Like, I get how someone fainted from that, I recognize the like, vasovagal response, and that some people like, what happens physiologically when some people see blood, and I also tend to be someone that gets lightheaded when I see other people's blood, thankfully not my own. But the funny thing is that, that specific piece, that specific performance project, and the the, I'm not doing it for the audience, I'm really doing it for me, because it's about looking through the lens of HIV, like looking through my rose, like my rose colored glasses, like I'm literally coloring my vision with HIV, which is what is always happening, is that I have to find a way to see through the lens of HIV in the work, you know. I mean, in my life, and then so this is like, is making that literal. I don't know if people necessarily take that away from it, but it becomes a layer for for people to experience. I also know the first you know, like, I need to make rooms a little bit more ventilated when I'm doing it. It's just you get a hot room, and then people see that and they're all crammed together. Thankfully, Corona is maybe going to make that easier.