That is an excellent question. And let me get this out of the way. I know this a podcast, I can't kind of build on visuals I wish I could. But let me briefly kind of describe in words what the Marvel method is. Previously, if we were to look at superhero comics, or any kind of genre comics from the 1950s, we had to think about how do these things get created? How do they reach the printed comic book page? Well, usually there was a writer, and there was a story outline, and there was dialogue, there's all these things kind of put down on paper. And the artists come along, and they say, Okay, well, I've got 12 pages to fill. So let me very carefully create images that fit these words. So basically, images subordinate toward the Marvel method was we want to re invent the visual artistic beauty of comics here. So let me take probably the biggest known name of Marvel Comics, and that is Jack Kirby, he's a huge artist for the 1950s 1960s. Under the Marvel method, Jack Kirby would sit down with Stanley, and they would come up with an idea, say for okay, we're going to have the Fantastic Four encounters some sort of adversary, and they're going to have to save the city of New York from his adversary. And adversary has the power of dropping green slime all over the city. So that's all we got going on. So Jack, take it away. So Jack Kirby, basically would take that germ of an idea, and he would fill the 12 pages with images, then the images would tell the story, basically, no words, just simple images. And sometimes it'd be more sentence, they'd be less unique. That's the role of the editor is to kind of come in and say, Okay, we need another image here to help follow through on this particular sequence, or you have to cut that out that kind of we need to simplify this story. But again, it's all images, it's no words. So move on to phase three. Stanley sits back down again. And he says, Okay, now I will add words. But I'm going to add words in ways that don't detract from the images and help facilitate the storytelling. So there in a nutshell, is just basically the Marvel method. It's really promoting the visual artist, kind of at the expense of the words, and it's kind of getting back at the purity of comic book form. And in many ways, Marvel Comics never leaves that formula behind. Jack Kirby is such a talented person, his sort of approach to storytelling to visual storytelling kind of sets a blueprint for a lot of the artists that Follow MARVEL for the decades to come. As you can well guess that means, okay, well, who takes the credit? Well, there's a lot of fighting, because on this because Stan Lee, owner of the company, and also the sort of face of the company, he's like a carnival barker, or the Master of Ceremonies at his circus, and he's sort of like, come one come all to the Mary Marvel Comics band, and he would give credit in the comic book pages to the artists. But Stanley is still the main guy, he'd have Stan's bullpen page on the comics where people could write in letters and things like that. And so this begins kind of a long history of difficulty for artists to maintain control over what they're doing, because different people take the credit for this. And there's all kinds of infighting. For example, Stan Lee and Jack Kirby have known each other for a long, long time, they're well acquainted with each other, they were not BFFs. By any stretch, though, there's strong competitiveness that run between them. And Kirby would come and go from the Marvel Comics, just like a lot of their other artists have kind of come and gone. And it's usually on the basis of I want to have the rights to the art that I've been contributing here. And I feel like those rights are being taken away from me. So when you say who's responsible in a lot of ways, they all are responsible and credit is just something you have to sort of carefully sorted out on a case by case basis.