Hello ONA. Lovely to be with you today. Hello everyone. Great to be here. Greetings from, well, a not so sunny Sydney, well, winter Sydney morning, 4:15 am in Sydney, so up bright and early to be with you today and really looking forward over the next 80 minutes going through a bunch of content, which I'm hoping is going to be super valuable for anyone working in a newsroom in journalism, and dealing with trying to tell the best and most visual stories they possibly can. My name is Jonathan Harley, I lead the news initiative at Canva as well as the media initiatives, sports a bunch of stuff across the content space and industry space. I come to this having worked as a journalist for more than 20 years, ABC Australia, 60 minutes Australia in production, docuseries. So a lot in the content space. Led news partnerships at Twitter, across Asia for three years. And my passion is really helping digital transformation to support great journalism and great news businesses. And there's no better place to do that work than the world's biggest design platform, which is Canva. What we're going to look at today is really the fundamentals of what anyone in a newsroom is dealing with, which is how do we create, manage, and deliver really compelling visual content and storytelling, at speed. At speed, and on brand. And we're going to be doing a bunch of stuff that I think is really going to be of high value because of the great use case we're finding for value in the new space. So I'm going to talk a bit about how Canva is pairing newsrooms everywhere, we're going to do a really great deep dive into seven top tips for social media newsletter production, with Canva, thanks to Ronnie, our absolute sopremo in the community space. Then we're going to have a great little chat with Danielle Woodward about Gannett and AZ Central around catching audiences and success that AZ Central has had at u sing Canva. What the future holds. Give you a little sneak peek around how we're thinking about product for newsrooms, and then we'll have time for a bit of q&a. So lots to get through. So let's get into it. First up, let's take a look at how Canva is pairing newsrooms everywhere. When we look, let's just go big picture. Because when we look at the world, you know, there's lots of different economies, the obviously in journalism, you're in the information economy, the ideas, economy, there's the share economy, you name it, there's an economy for everything. But a Canva, when we're looking at overarching all of that is what we think of as the visual economy. And that's because the digital revolution is actually a visual revolution. How we consume and create visual content is unlike anything before in human history. When you look at the arc of time, you know, the Gutenberg press, say, for example, in the 15th century, that was so key to what eventually became the transformation of societies with democracy. Without the Gutenberg press, it's so hard to see how the democratic process could have unfolded. And of course, the unleashing of the Free Press. With the digital revolution, we now have this visual revolution, which of course, is largely mobile as well. And what we'll explore today is asking the question and really exploring, do we have the tools to make that moment, the traditional tools we think, aren't fit for purpose. And that's why Canva is so powerful in a newsroom setting, you know, we are still visual creatures. That's the thing. visual content, as many of you will know, in this space is so much more likely to be shared and remembered, in fact, 40 times more likely to be shared and remembered, in fact, 65% of us are visual learners, 90% of the information transmitted to the brain is visual. And of course, visual information is processed so much more quickly than text, in fact, 6,000 times faster. And of course, in the new space, in the breaking news space, that piece of speed is capable. We'll come back to that in more detail as we come through. Now, what this means that I think this is a is a real unlock in how we think about it, because traditionally, we think about visual content as really being, you know, especially the news space, pretty much social or what goes to screen, in video. It's actually much broader than that. Everything we are now doing in this space is visual. Now, you know, newsletters is a really obvious example that still got a really visual component to it. But when you look at crossing news business, and especially for executives, the reality is that everything has this really compelling visual component to it. Whether it's the actual editorial content, or it's a business proposal, or it's a strategy document, or an infographic or database. And that's where Canva can help across that board. And, of course, the visual economy in 2020, was, let's just say it, was pretty active. Of course, there was COVID, you know, the transformational story of COVID. But there were also major civil, political, and cultural shifts, environmental catastrophes. There was the economic story, of course, we'll come to that. But also environmental catastrophes and stories, such as the bushfires we saw here in Australia, and catastrophic forest fires in California. But we also saw a seismic shift in the way people and businesses are creating, collaborating, and communicating. Of course, we saw newsrooms completely change the way they worked because of COVID. We were all dispersed to work from home to work remotely. That was such a big piece of it. But that was just the start, in many ways. It was a public health challenge. But it was also an information production and distribution challenge. And of course, everyone on this call, felt that and experienced that. And it was such an intense journalistic year, but it was also a year in which everyone was telling me a COVID story in one way, shape, or form, you know, whether it was a cafe, putting up an information sheet, whether it was, you know, people communicating with customers, etc. And so in Canada, we actually saw 14 million COVID templates being downloaded across 2020. As I touched on, it was a medical calamity, but there's also a story of an economic disruption, and reinvention. And so we saw a lot of businesses as they pivoted, you know, think of just for example, the way schools had to be. Think of how so many businesses like yours had to rethink the way they did it. And for a lot of businesses that also saw that the start of new businesses and new pieces. So not surprisingly, we saw this explosion of logos on Canva. In fact, 65 million new logos across 2020. Now, what that is telling us is a couple of things, obviously, there's a lot of people doing a digital pivot. Obviously, there's there's a lot of side hustles coming up a lot of new businesses. But I think one reason why this is so important in the news and journalism space, is the fact that this is, because this is brand explosion, the battle of the brands only gets more intense. You're not just competing with news brands, when you're out there with the content, you're competing with every brand. Every business is a content business now. And of course, you're really in the game of how do you cut through and how do you imprint, the integrity, the authority and the independence of your journalism brand on everything you do? Now, we've got a lot of really fantastic media brands that have brought Canva into the heart of their workflow. And one of the reasons for that is because these are these brands that, like yours, have been built over generations, and built on trust in journalism, more than anything in media, I think brand is bond. And the way Canva helps strengthen that brand proposition is really key. Let me give you an example from here in Australia. Network 10 is a freeware broadcast, traditional broadcaster. It's owned by Viacom, CBS now and so it has been going through this tremendous pivot, if you like, digital pivot. It's gone through the digital transformation pace in recent years.